Wadada Leo Smith's Golden Quartet - Tabligh (2008)

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Wadada Leo Smith's Golden Quartet - Tabligh (2008) (Size: 328.28 MB)
 01 - Rosa Parks.flac87.96 MB
 02 - DeJohnette.flac77.31 MB
 03 - Caravan of Winter.flac42.18 MB
 04 - Tabligh.flac118.72 MB
 CD.jpg200.24 KB
 Cuneiform Records Rune 270.jpg58.03 KB
 Back.jpg202.42 KB
 Booklet_1.jpg191.55 KB
 Booklet_2.jpg206.28 KB
 Booklet_3.jpg179.61 KB
 Booklet_4.jpg142.73 KB
 Booklet_5.jpg103.72 KB
 Cover.jpg607.75 KB
 info.txt60.11 KB
 small.jpg195.01 KB

Description

Cuneiform Records: Rune 270
http://www.cuneiformrecords.com/bandshtml/smith.html
http://www.cuneiformrecords.bandcamp.com/album/tabligh
http://www.cuneiformrecords.com/emails/wls-email-oct2010.html

image

* Wadada Leo Smith: trumpet
* Vijay Iyer: piano, Fender Rhodes, synthesizer
* John Lindberg: bass
* Shannon Jackson: drums

http://www.wadadaleosmith.com/
http://www.vijay-iyer.com/
http://www.johnlindberg.com/
http://www.ronaldshannonjackson.com/

Recorded live at RedCat in Los Angeles, CA at the
CalArts Creative Music Festival in 2005 (November 17).
http://www.redcat.org/event/creative-music-festival-1
http://music.calarts.edu/


Reviews

By Will Layman
http://www.popmatters.com/review/wadada-leo-smiths-golden-quartet-tabligh/

Wadada Leo Smith is an early member of the Association for the Advancement of
Creative Musicians in Chicago and a longtime figure in the American jazz
avant-garde. Tabligh is his third release with what he calls his “Golden
Quartet”, the first two from 2000 and 2002. This time around, Smith has a new
trio behind him: the adventurous Vijay Iyer on piano and keyboards, John
Lindberg on bass, and Shannon Jackson on drums. The music they make together is
reminiscent of the earlier recordings in that it is lyrical and atmospheric,
featuring both wide-open spaces and a heaping dose of pleasing melody.

There is no denying that the start of this disc is going to remind many
listeners of the early electric experiments of Miles Davis. “Rosa Parks”
combines plaintive trumpet cries with a grooving pulse colored mainly by
electric piano—and it comes up like a gorgeous dawn just like “In a Silent
Way”. Even on the other tracks, where Iyer mainly plays acoustic, there is a
Miles-ian tang. Smith quotes “I Fall in Love to Easily” at one point, just in
case you weren’t sure. In other respects, though, this music is more open and
harmonically aggressive than Miles’s work, with Iyer playing craggy, dissonant
solos and offering the kind of accompaniment that suggests a secret meeting
between Davis and Cecil Taylor circa 1973. Jackson playing rolling, explosive
drums when he gets the chance and otherwise colors this exciting release with
subtle care.

--

By Thom Jurek
http://www.allmusic.com/album/tabligh-mw0000790830

By Stef
http://www.freejazzblog.org/2008/05/wadada-leo-smiths-golden-quartet.html

By Jason Bivins
http://www.dustedmagazine.com/reviews/4516

By Troy Collins
http://www.allaboutjazz.com/tabligh-wadada-leo-smith-cuneiform-records-review-by-troy-collins.php

Par Guillaume Belhomme (fr)
http://www.lesinrocks.com/musique/critique-album/tabligh/

Por Sergio Piccirilli (es)
http://elintruso.com/2008/09/01/wadada-leo-smiths-golden-quartet-tabligh/


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Wadada Leo Smith's Golden Quartet - Tabligh (2008)