Tom Waits - Real Gone (2004) FLAC

Title / Artist: Tom Waits Album: Real Gone Year Of Release: 2004 Genre: Alternative Format / Codec: FLAC (Image + CUE + Log) Bitrate: Lossless Duration: 1:10:51 Track List: 01. Top of the Hill [04:53] 02. Hoist That Rag [04:19] 03. Sins of My Father [10:35] 04. Shake It [03:51] 05. Don't Go Into That Barn [05:20] 06. How's It Gonna End [04:49] 07. Metropolitan Glide [04:11] 08. Dead and Lovely [05:39] 09. Circus [03:56] 10. Trampled Rose [03:56] 11. Green Grass [03:12] 12. Baby Gonna Leave Me [04:29] 13. Clang Boom Steam [00:46] 14. Make It Rain [03:37] 15. Day After Tomorrow [05:53] 16. Clang Boom [01:17] Quote as a brief description: "The album can be called experimental, even in relation to all works of the singer." If you earlier in your life "dolbanulo" Tom Waits, you may well to start with the "Real Gone" . In fact, this first solo album since the time Waits fantastic record "Mule Variations" in 1999, earning the author Grammy in the category "Best Contemporary Folk Album." "Alice" and "Blood Money" in 2002 does not count - it was music to others' performances, and, moreover, old. A "Real Gone" is a return to the master of the usual activities - creating the brightest paintings by fairly limited at first glance ink set. Vinyl scratching, sounding in the first track "Top of the Hill", as in the last psevdorep, "Hidden", do not be rushed into the eyes, if not harped on them so persistently press agents singer. That's precisely what attracts attention because it is an amazing beauty and humanity tunes. Such a number of beautiful motifs on one disc Tom Waits was not long ago. "Real Gone", of course, not Gorny pop record, "hit" blues, waltzes and ballads, as is his usual, as if soaked in kerosene, artificially aged and clamped in a vise, and the whole album is more reminiscent of a rusty kinetic sculpture, rather than a collection of songs. However, under the guise of his usual rough and irregular simplicity Tom Waits is one of the greatest composers in contemporary music. After the first scroll in CD-player in the brain literally eats at least "Hoist That Rag", "Sins of My Father", "How` s It Gonna End "," Dead and Lovely "," Trampled Rose "," Green Grass "and" Day after Tomorrow ", and yet between them there is an indispensable spoken-word-number" Circus ", chants" Shake It ", as if written by a tribe of cannibals number" Baby Gonna Leave Me "and the song" Clang Boom Steam ", like a skinned "We Will Rock You". With the help of his wife Kathleen Brennan, son Casey, a longtime associate Marc Ribot and Larry Taylor, Tom Waits continues to do what it should do a great artist - create, destroy, restore and endlessly grind your own world. As part of the success in this field with Waits in 2004 is matched only by David Byrne. Boris Barabanov, b