Tim Buckley - Discography 1966-2001 [FLAC]

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Added on March 12, 2015 by rustilldown78in Music > Lossless
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Tim Buckley - Discography 1966-2001 [FLAC] (Size: 3.81 GB)
 folder.jpg178.87 KB
 Back.jpg447.22 KB
 Front.jpg407.36 KB
 01 - I Can't See You.flac18 MB
 02 - Wings.flac15.37 MB
 03 - Song of the Magician.flac17.07 MB
 04 - Strange Street Affair Under Blue.flac18.75 MB
 05 - Valentine Melody.flac19.12 MB
 06 - Aren't You the Girl.flac13.11 MB
 07 - Song Slowly Song.flac19.47 MB
 08 - It Happens Every Time.flac11.94 MB
 09 - Song for Jainie.flac16.31 MB
 10 - Grief in My Soul.flac13.39 MB
 Back.jpg369.05 KB
 Booklet-2.jpg325.76 KB
 booklet.jpg582.28 KB
 CD.jpg212.61 KB
 Front.jpg271.4 KB
 inside.jpg312.03 KB
 01 - No Man Can Find The War.flac16.78 MB
 02 - Carnival Song.flac17.3 MB
 03 - Pleasant Street.flac31 MB
 04 - Hallucinations.flac24.78 MB
 05 - I Never Asked To Be Your Mountain.flac37.66 MB
 06 - Once I Was.flac19.09 MB
 07 - Phantasmagoria In Two.flac19.56 MB
 08 - Knight-Errant.flac11.27 MB
 09 - Goodbye And Hello.flac49.31 MB
 10 - Morning Glory.flac15.61 MB
 Back.jpg628.88 KB
 CD.jpg317.44 KB
 Front.jpg494.04 KB
 00 - (HTOA).flac11.12 KB
 01 - Happy Time.flac18.18 MB
 02 - Chase The Blues Away.flac22.81 MB
 03 - I Must Have Been Blind.flac19.13 MB
 04 - The River.flac30.29 MB
 05 - So Lonely.flac17.99 MB
 06 - Cafe.flac25.93 MB
 07 - Blue Melody.flac24.89 MB
 08 - The Train.flac43.93 MB
 auCDtect.txt3.96 KB
 Back.jpg300.06 KB
 Booklet-2.jpg284.5 KB
 booklet.jpg1.57 MB
 CD.jpg304.04 KB
 Front.jpg710.23 KB
 inside.jpg750.64 KB
 01 - Strange Feelin'.flac33.62 MB
 02 - Buzzin' Fly.flac29.26 MB
 03 - Love From Room 109 At The Islander (On Pacific Coast Highway).flac50.88 MB
 04 - Dream Letter.flac23.11 MB
 05 - Gypsy Woman.flac59.36 MB
 06 - Sing A Song For You.flac12.23 MB
 auCDtect.txt3.03 KB
 folder.jpg299.92 KB
 Tim Buckley - Happy Sad.accurip1.71 KB
 Tim Buckley - Happy Sad.cue1.04 KB
 Tim Buckley - Happy Sad.log2.02 KB
 Back.jpg370.78 KB
 Booklet-2.jpg444.69 KB
 booklet.jpg641.47 KB
 CD.jpg249.39 KB
 Front.jpg330.21 KB
 inside.jpg322.45 KB
 01 - Lorca.flac52.4 MB
 02 - Anonymous Proposition.flac37.1 MB
 03 - I Had A Talk With My Woman.flac30.1 MB
 04 - Driftin'.flac38.41 MB
 05 - Nobody Walkin'.flac41.95 MB
 auCDtect.txt2.59 KB
 folder.jpg328.63 KB
 Tim Buckley - Lorca.accurip1.71 KB
 Tim Buckley - Lorca.cue819 bytes
 Tim Buckley - Lorca.log1.94 KB
 Back.jpg253.36 KB
 Booklet-2.jpg635.22 KB
 booklet.jpg1.31 MB
 CD.jpg794.72 KB
 Front.jpg1.04 MB
 inside.jpg253.76 KB
 01 - Come Here Woman.flac23.51 MB
 02 - I Woke Up.flac21.53 MB
 03 - Monterey.flac26.16 MB
 04 - Moulin Rouge.flac11.18 MB
 05 - Song To The Siren.flac16.61 MB
 06 - Jungle fire.flac28.19 MB
 07 - Starsailor.flac27.15 MB
 08 - The Healing Festival.flac20.33 MB
 09 - Down By The Borderline.flac32.35 MB
 auCDtect.txt4.01 KB
 Back.jpg526.74 KB
 Booklet-2.jpg1.11 MB
 booklet.jpg1.41 MB
 CD.jpg551.94 KB
 Front.jpg447.85 KB
 inside.jpg283.38 KB
 01 - Move With Me.flac29.79 MB
 02 - Get On Top.flac39.63 MB
 03 - Sweet Surrender.flac38.4 MB
 04 - Nighthawkin'.flac19.92 MB
 05 - Devil Eyes.flac42.07 MB
 06 - Hong Kong Bar.flac31.69 MB
 07 - Make It Right.flac25.1 MB
 auCDtect.txt3.28 KB
 folder.jpg355.45 KB
 Tim Buckley - Greetings From L.A..accurip2.35 KB
 Back.jpg917.44 KB
 booklet.jpg1.4 MB
 CD.jpg352.64 KB
 Front.jpg719.23 KB
 inside.jpg720.93 KB
 00 - (HTOA).flac42.67 KB
 01 - Dolphins.flac19.23 MB
 02 - Honey Man.flac28.66 MB
 03 - Because Of You.flac26.51 MB
 04 - Peanut Man.flac16.96 MB
 05 - Martha.flac18.55 MB
 06 - Quicksand.flac20.99 MB
 07 - I Know I'd Recognize Your Face.flac23.12 MB
 08 - Stone In Love.flac21.96 MB
 09 - Sefronia_ After Asklopiades, After Kafka.flac17.04 MB
 Back.jpg263.45 KB
 Booklet-2.jpg459.93 KB
 booklet.jpg473.21 KB
 CD.jpg218.44 KB
 Front.jpg273.72 KB
 inside.jpg193 KB
 00 - (HTOA).flac13.21 KB
 01 - Look At The Fool.flac34.3 MB
 02 - Bring It On Up.flac22.64 MB
 03 - Helpless.flac22 MB
 04 - Freeway Blues.flac20.03 MB
 05 - Tijuana Moon.flac17.1 MB
 06 - Ain't It Peculiar.flac23.53 MB
 07 - Who Could Deny You.flac27.13 MB
 08 - Mexicali Voodoo.flac15.49 MB
 09 - Down In The Street.flac22.2 MB
 Back.jpg439.16 KB
 Booklet-2.jpg1.09 MB
 Booklet-3.jpg1.33 MB
 Booklet-4.jpg1.1 MB
 Booklet-5.jpg1.04 MB
 Booklet-6.jpg1.28 MB
 booklet.jpg586.54 KB
 CD-2.jpg173.84 KB
 CD.jpg157.62 KB
 Front.jpg414.1 KB
 01 - Introduction.flac5.72 MB
 02 - Buzzin' Fly.flac37 MB
 03 - Phantasmagoria In Two.flac26.09 MB
 04 - Morning Glory.flac19.99 MB
 05 - Dolphins.flac39.12 MB
 06 - I've Been Out Walking.flac48.83 MB
 07 - The Earth Is Broken.flac33.68 MB
 08 - Who Do You Love.flac54.91 MB
 09 - Pleasant Street_You Keep Me Hanging On.flac45.02 MB
 auCDtect.txt4.07 KB
 01 - Love from Room 109_Strange Feelin'.flac66.25 MB
 02 - Carnival Song_Hi Lily, Hi Lo.flac42.7 MB
 03 - Hallucinations.flac38.38 MB
 04 - Troubadour.flac33.22 MB
 05 - Dream Letter_Happy Time.flac49.79 MB
 06 - Wayfaring Stranger_You Got Me Runnin'.flac72.54 MB
 07 - Once I Was.flac24.73 MB
 auCDtect.txt3.41 KB
 folder.jpg370.03 KB
 Tim Buckley - Dream Letter_ Live in London 1968 [Disc 2].accurip533 bytes
 folder.jpg370.03 KB
 Back.jpg660.1 KB
 Booklet-10.jpg528.63 KB
 Booklet-11.jpg595.29 KB
 Booklet-12.jpg485.66 KB
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 Booklet-15.jpg509.41 KB
 Booklet-16.jpg421.77 KB
 Booklet-2.jpg383.15 KB
 Booklet-3.jpg713.65 KB
 01 - Wings.flac15.58 MB
 02 - She Is.flac18.36 MB
 03 - Song Slowly Song.flac19.36 MB
 04 - It Happens Every Time.flac11.78 MB
 05 - Aren't You the Girl.flac12.7 MB
 06 - Pleasant Street.flac31.98 MB
 07 - Hallucinations.flac26.13 MB
 08 - No Man Can Find the War.flac17.51 MB
 09 - Once I Was.flac20.17 MB
 10 - Morning Glory.flac16.45 MB
 01 - Happy Time.flac19.07 MB
 02 - Chase The Blues Away.flac23.91 MB
 03 - I Must Have Been Blind.flac19.91 MB
 04 - The River.flac31.35 MB
 05 - So Lonely.flac18.64 MB
 06 - Blue Melody.flac25.51 MB
 07 - I Had a Talk With My Woman (Live).flac38.74 MB
 08 - Moulin Rouge.flac10.6 MB
 09 - Song to the Siren.flac16.87 MB
 10 - Monterey.flac26 MB
 folder.jpg651.75 KB
 back-2.jpg514.39 KB
 Back.jpg454.85 KB
 Booklet-2.jpg620.69 KB
 Booklet-3.jpg1.32 MB
 Booklet-4.jpg1.3 MB
 Booklet-5.jpg1.33 MB
 Booklet-6.jpg1.28 MB
 booklet.jpg1.85 MB
 CD.jpg720.48 KB
 Front-2.jpg853.2 KB
 01 - I Can't See You.flac18.01 MB
 02 - Wings.flac15.37 MB
 03 - Song of the Magician.flac17.07 MB
 04 - Strange Street Affair Under Blue.flac18.76 MB
 05 - Valentine Melody.flac19.12 MB
 06 - Aren't You the Girl.flac13.12 MB
 07 - Song Slowly Song.flac19.47 MB
 08 - It Happens Every Time.flac11.94 MB
 09 - Song for Janie.flac16.32 MB
 10 - Grief of My Soul.flac13.39 MB

Description

Tim Buckley - Discography 1966-2001 [FLAC]





With an angelic voice, folk-rock's most adventurous figure ranged from psychedelia to progressive jazz to blue-eyed soul before his tragic death.


One of the great rock vocalists of the 1960s, Tim Buckley drew from folk, psychedelic rock, and progressive jazz to create a considerable body of adventurous work in his brief lifetime. His multi-octave range was capable of not just astonishing power, but great emotional expressiveness, swooping from sorrowful tenderness to anguished wailing. His restless quest for new territory worked against him commercially: By the time his fans had hooked into his latest album, he was onto something else entirely, both live and in the studio. In this sense he recalled artists such as Miles Davis and David Bowie, who were so eager to look forward and change that they confused and even angered listeners who wanted more stylistic consistency. However, his eclecticism has also ensured a durable fascination with his work that has engendered a growing posthumous cult for his music, often with listeners who were too young (or not around) to appreciate his music while he was active.

Buckley emerged from the same '60s Orange County, CA, folk scene that spawned Jackson Browne and the Nitty Gritty Dirt Band. Mothers of Invention drummer Jimmy Carl Black introduced Buckley and a couple of musicians Buckley was playing with to the Mothers' manager, Herbie Cohen. Although Cohen may have first been interested in Buckley as a songwriter, he realized after hearing some demos that Buckley was also a diamond in the rough as a singer. Cohen became Buckley's manager, and helped the singer get a deal with Elektra.

Before Buckley had reached his 20th birthday, he'd released his debut album. The slightly fey but enormously promising effort highlighted his soaring melodies and romantic, opaque lyrics. Baroque psychedelia was the order of the day for many Elektra releases of the time, and Buckley's early folk-rock albums were embellished with important contributions from musicians Lee Underwood (guitar), Van Dyke Parks (keyboards), Jim Fielder (bass), and Jerry Yester. Larry Beckett was also an overlooked contributor to Buckley's first two albums, co-writing many of the songs.

The fragile, melancholic, orchestrated beauty of the material had an innocent quality that was dampened only slightly on the second LP, Goodbye and Hello (1967). Buckley's songs and arrangements became more ambitious and psychedelic, particularly on the lengthy title track. This was also his only album to reach the Top 200, where it only peaked at number 171; Buckley was always an artist who found his primary constituency among the underground, even for his most accessible efforts. His third album, Happy Sad, found him going in a decidedly jazzier direction in both his vocalizing and his instrumentation, introducing congas and vibes. Though it seemed a retreat from commercial considerations at the time, Happy Sad actually concluded the triumvirate of recordings that are judged to be his most accessible.

The truth was, by the late '60s Buckley was hardly interested in folk-rock at all. He was more intrigued by jazz; not only soothing modern jazz (as heard on the posthumous release of acoustic 1968 live material, Dream Letter), but also its most avant-garde strains. His songs became much more oblique in structure, and skeletal in lyrics, especially when the partnership with Larry Beckett was ruptured after the latter's induction into the Army. Some of his songs abandoned lyrics almost entirely, treating his voice itself as an instrument, wordlessly contorting, screaming, and moaning, sometimes quite cacophonously. In this context, Lorca was viewed by most fans and critics not just as a shocking departure, but a downright bummer. No longer was Buckley a romantic, melodic poet; he was an experimental artiste who sometimes seemed bent on punishing both himself and his listeners with his wordless shrieks and jarringly dissonant music.

Almost as if to prove that he was still capable of gentle, uplifting jazzy pop-folk, Buckley issued Blue Afternoon around the same time. Bizarrely, Blue Afternoon and Lorca were issued almost simultaneously, on different labels. While an admirable demonstration of his versatility, it was commercial near-suicide, each album canceling the impact of the other, as well as confusing his remaining fans. Buckley found his best middle ground between accessibility and jazzy improvisation on 1970's Starsailor, which is probably the best showcase of his sheer vocal abilities, although many prefer the more cogent material of his earliest albums.

By this point, though, Buckley's approach was so uncommercial that it was jeopardizing his commercial survival. And not just on record; he was equally uncompromising as a live act, as the posthumously issued Live at the Troubadour 1969 demonstrates, with its stretched-to-the-limit jams and searing improv vocals. For a time, he was said to have earned his living as a taxi driver and chauffeur; he also flirted with films for a while. When he returned to the studio, it was as a much more commercial singer/songwriter (some have suggested that various management and label pressures were behind this shift).

As much of a schism as Buckley's experimental jazz period created among fans and critics, his final recordings have proved even more divisive, even among big Buckley fans. Some view these efforts, which mix funk, sex-driven lyrical concerns, and laid-back L.A. session musicians, as proof of his mastery of the blue-eyed soul idiom. Others find them a sad waste of talent, or relics of a prodigy who was burning out rather than conquering new realms. Neophytes should be aware of the difference of critical opinion regarding this era, but on the whole his final three albums are his least impressive. Those who feel otherwise usually cite the earliest of those LPs, Greetings from L.A. (1972), as his best work from his final phase.

Buckley's life came to a sudden end in the middle of 1975, when he died of a heroin overdose just after completing a tour. Those close to him insist that he had been clean for some time and lament the loss of an artist who, despite some recent failures, still had much to offer. Buckley's stock began to rise among the rock underground after the Cocteau Twins covered his "Song for the Siren" in the 1980s. The posthumous releases of two late-'60s live sets (Dream Letter and Live at the Troubadour 1969) in the early '90s also boosted his profile, as well as unveiling some interesting previously unreleased compositions. His son Jeff Buckley went on to mount a musical career as well before his own tragic death in 1997.


1966 - Tim Buckley
1967 - Goodbye and Hello
1969 - Happy Sad
1969 - Blue Afternoon
1970 - Lorca
1970 - Starsailor
1972 - Greetings from L.A.
1973 - Sefronia
1974 - Look at the Fool
1990 - Dream Letter: Live in London 1968
2001 - Tim Buckley/Goodbye and Hello (1st and 2nd Albums Remastered on 1 CD)
2001 - Morning Glory: The Tim Buckley Anthology


Album artwork and rip logs are included. Enjoy!!!!!!!!!!!!!!!!!!!!!!



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Tim Buckley - Discography 1966-2001 [FLAC]