The Nashville Sound [Disc 3]

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Added on July 29, 2015 by Ever1164in Music
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The Nashville Sound [Disc 3] (Size: 131.4 MB)
 3-16 Big Bad John.m4a6.31 MB
 3-10 Mexico.m4a5.98 MB
 3-06 Funny How Time Slips Away.m4a5.93 MB
 3-12 Blue Eyes Crying In The Rain.m4a5.87 MB
 3-25 Go On Home.m4a5.83 MB
 3-21 Misery Loves Company.m4a5.67 MB
 3-18 A Wound Time Can't Erase.m4a5.67 MB
 3-14 Crazy.m4a5.59 MB
 3-03 Tender Years.m4a5.48 MB
 3-24 Willingly.m4a5.42 MB
 3-07 Sea Of Heartbreak.m4a5.38 MB
 3-22 Losing Your Love.m4a5.33 MB
 3-20 Lonesome Number One.m4a5.2 MB
 3-19 I Can't Seem To Say Goodbye.m4a5.2 MB
 3-17 Happy Journey.m4a5.14 MB
 3-09 Walk On By.m4a5.13 MB
 3-15 Touch Me.m4a5.12 MB
 3-23 Charlie's Shoes.m4a5.06 MB
 3-11 The Old Spinning Wheel.m4a4.9 MB
 3-08 My Ears Should Burn (When Fools.m4a4.8 MB
 3-01 Hello Walls.m4a4.66 MB
 3-05 You're The Reason.m4a4.65 MB
 3-02 A Little Bitty Tear.m4a4.52 MB
 3-04 I'm As Lonely As Anyone Can Be.m4a4.46 MB
 3-13 Love's Been Good To Me.m4a4.07 MB

Description

"Countrypolitan -- an outgrowth of the Nashville sound of the '50s -- is among the most commercially-oriented genres of country music," writes AllMusic. "The Nashville sound emerged in the '50s as a way to bring country music to a broad pop audience.

"The movement was led by Chet Atkins, who was the head of RCA Records' country division. Atkins designed a smooth, commercial sound that relied on country song structures but abandoned all of the hillbilly and honky tonk instrumentation. He hired session musicians and coordinated pop-oriented, jazz-tinged productions.

"Similarly, Owen Bradley created -- most notably with Patsy Cline -- sophisticated productions and smooth, textured instrumentation. Eventually, most records from Nashville featured this style of production and the Nashville sound began to incorporate strings and vocal choirs."

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131.4 MB
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The Nashville Sound [Disc 3]