The J.B.'s - Doing It To Death@flac

In spite of James Brown's 1974 hit "The Payback" and his future canonization in rap, 1973's Doing It to Death was, as the title now suggests, the sound of James Brown obsessing the almighty funk into commercial irrelevance. His tight circle of musicians was still creating a brand of R&B as distinct as it was influential. (You can hear it in the music of artists as disparate as Nigeria's Fela and Germany's Can.) But on his home turf, James was already competing with post-Superfly wah-wah pedal hoppers and the pre-disco Philly sound. So it's not surprising that he soaked up loose change from his pre-sold followers with cut-'n-press JB's albums like this one on his indie label, People.



Though composed by bandleader Fred Wesley and a bigger hit than any single released by James under his own name that year, the talky 10-minute title cut is still pure Godfather. And the unexpectedly solid album constructed around it is every bit a classically Jamesian combination of loose lip and tight ship. The boss man's mug is missing from the sleeve, but if there's any doubt who's in charge, just listen to the way he introduces the bass solo on "More Peas," relinquishing the groove only after giving the band notice that "if he lose the funk we gotta chunk him out."



The theme song, "You Can Have Watergate Just Gimme Some Bucks and I'll Be Straight," is ironic given James' re-election endorsement of the vulnerable funky president. JB had hoped to pressure Nixon for a Martin Luther King holiday ("You can't change a house from the outside," he'd told hecklers at the Apollo). By '73, he just wanted his 40 acres. Instead, he got a call from the IRS and belated thanks "for inventing modern music" some 23 years later". Peter S. Scholtes

"An incredible album -- a landmark piece of funk that nobody should be without, funk fan or not! The album is the second to feature James Brown's famous backing combo of the early 70s -- and unlike their first one, which was really more of a collection of singles, this album has the group playing hard, long, and loud, in the free funk improvisational mode that was James' real contribution to the music at the time. The tracks are all long, with James at the forefront, egging the band on with shouts and comments -- but also letting them open up large instrumentally, playing in a mode that's as much jazz as it is funky soul. The whole thing's peppered with some nice shorter seques between tracks -- but the long cuts are the winners, and are some of the best funk ever recorded" (Dusty Groove America)

1 - Introduction to the J.B.'s (0:23)

2 - Doing it to Death - Parts 1 & 2 (9:49)

3 - You Can Have Watergate Just Gimme Some Bucks and I'll Be Straight (0:14)

4 - More Peas (8:16)

5 - La Di Da La Di Day (5:32)

6 - You Can Have Watergate Just Gimme Some Bucks and I'll Be Straight (0:14)

7 - Sucker (8:00)

8 - You Can Have Watergate Just Gimme Some Bucks and I'll Be Straight (6:22)James Brown - lead vocal

Fred Wesley - trombone

Darryl "Hasaan" Jamison - trumpet

Jerone "Jasaan" Sanford - trumpet

Ike Oakley - trumpet

St. Clair Pinckney - tenor saxophone

Eldee Williams - tenor saxophone

John "Jabo" Starks - drums

Jimmy Nolen - guitar

Hearlon "Cheese" Martin - guitar

Fred Thomas - bass

Maceo Parker - alto saxophone



Label: Polydor

Released: 1972



P.S. This is a Japanese Release



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