The Fantasy of Family - Nineteenth-Century Children's Literature and the Myth of the Domestic Ideal - by E. Thiel

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The Fantasy of Family

Nineteenth-Century Children's Literature

and the Myth of the Domestic Ideal


by E. Thiel


Contents:

Introduction

1 Redefining the Past
Part One: Theory and The Family
Part Two: Transnormative Families—Causes and Effects

2 Snatched From “The Seed-plot” of Degeneracy: The “rescue” of the destitute child in tales of street-arab life
Drunk and Disorderly: The negligent mother in Hesba Stretton’s Jessica’s First Prayer (1867), Jessica’s Mother (1867), and Lost Gip (1873)
“Motherless, Fatherless and Friendless”: Portraits of the orphan in Brenda’s Nothing to Nobody (1873) and Froggy’s Little Brother (1875)

3 Forever Cursed: Stepmothers, “otherness,” and the reinscription of myth in transnormative family narratives
The Precarious Nature of Home Sweet Home: Lucy Lane Clifford’s “The New Mother” (1882)
A Subtly Subversive Approach:Harriet Childe-Pemberton’s Birdie: A Tale of Child-Life (1888)
Discordant Voices: Filial jealousy and authorial “compromise” in Caroline Birley’s We Are Seven (1880)
The Folly of Voluntary Slavery: Charlotte M. Yonge’s
The Young Step-mother or A Catalogue of Mistakes (1861)

4 “Uncles are one thing . . . [but] aunts are always nasty!” Relational failures and the discourse of gender bias in foster family stories
Negative Influences and Familial Discord:Mary Louis Molesworth’s Rosy (1882)
Usurping the Mother: Harriet Childe-Pemberton’s “All My Doing; or, Red Riding Hood Over Again” (1882)
The Archetype of the “Good, Kind Uncle”: Catherine Sinclair’s Holiday House: A Book for the Young (1839)
In Sinclair’s Footsteps: Brenda’s “Lotty and Georgie” books and the man with the yellow moustache

5 Mother, Ally, Friend, or Foe? The “dependable” female author as one of the family
Part One:Women’sWork
Part Two: A Multiplicity of Voices

Conclusion Into the Future: The enduring potency of the nineteenth-century domestic ideal

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The myth of the Victorian family remains a pervasive influence within a contemporary Britain that perceives itself to be in social crisis. Nostalgic for a golden age of "Victorian values" in which visions of supportive, united families predominate, the common consciousness, exhorted by social and political discourse, continues to vaunt the "traditional, natural" family as the template by which all other family forms are gauged. Yet this fantasy of family, nurtured and augmented throughout the Victorian era, was essentially a construct that belied the realities of a nineteenth-century world in which orphanhood, fostering, and stepfamilies were endemic.

Focusing primarily on British children's texts written by women and drawing extensively on socio-historic material, The Fantasy of Family considers the paradoxes implicit to the perpetuation of the domestic ideal within the Victorian era and offers new perspectives on both nineteenth-century and contemporary society.




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The Fantasy of Family - Nineteenth-Century Children's Literature and the Myth of the Domestic Ideal - by E. Thiel

All Comments

The past is prologue, as it's often been said. This is an excellent piece of scholarly writing. Thank you for sharing!
Thank you for the valuable feedback :)