Sugar Blue - From Paris To Chicago (1988) FLAC

Sugar Blue - From Paris To Chicago (1988) FLAC

Tracks:

01. Pontiac Blues [03:24]
02. Begging The Girl To Go [06:21]
03. Dark And Hungry [06:53]
04. She'd No Tears [03:10]
05. War Zone [04:39]
06. Who's Been Talking [06:55]
07. Another Man Done Gone [02:18]
08. Don't Start Me Talkin' [03:57]
09. Help Me [05:08]
10. Key To The Highway [04:03]
11. That's Alright [04:24]
12. Cold Blooded Man [04:43]
13. Devil Woman [09:48]
14. Secret Lover [06:31]


Sugar Blue (born James Whiting, December 16, 1949, Harlem, is an American Grammy Award winning blues musician, who plays the harmonica. He is probably best known for playing on The Rolling Stones' single, "Miss You".

-- Chicago Tribune "He's harmonica's James Joyce: he sometimes sounds as if he's trying to deconstruct the entire blues vocabulary and then patch together a bold new language with the shards left behind. His harp solos yank melody lines around as if they were tug-of-war ropes. He struts his extraordinary breath control and tongue technique...and his tone often sounds like a horn...big-league tough, skin-tight and funky...Sugar blows down lightning...and his voice is straight-ahead and authoritative...he plays from the heart with virtuosity."

-- Living Blues "He's a brilliant instrumentalist, stringing notes together with the speed and inventiveness of a top-flight jazzman. His singing is intense. This is urban blues, '90s style."
-- Request "He's a very strange and talented musician."

-- Mick Jagger "Blue is a technical wonder. He blows torrents of intense, quicksilver-lightning runs -- swooping, soaring, purring, and wailing, sometimes sustaining high notes while chording beneath them. His chops are scary...Blue balances flash with feel."

-- Tony "Little Sun" Glover "Indescribable may be the best adjective for Blue's harmonica playing -- there's simply nobody else with whom to compare his soaring chops. He takes the blues harmonica well inside the realm of a lead instrument, wringing from it lightning riffs and subtle intonations."



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