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| Remix Theory: The Aesthetics of Sampling |
| | | | | | | | | DATE: 2013-04-07 SIZE: 2,88MB DISKS: 01_______4,77MB PAGES: | | | | PUBLISHER: Springer GENRE: Music | | | | AUTHOR: Navas, Eduardo | | | | FORMAT: PDF PROTECTION: none EDITION: | | | | URL: http://is gd/pLNjTV | | | | LANGUAGE: English ISBN: 978-3-7091-1263-2 | : : : Remix Theory: The Aesthetics of Sampling is an analysis of Remix in art, : : music, and new media. Navas argues that Remix, as a form of discourse, : : affects culture in ways that go beyond the basic recombination of material.: : His investigation locates the roots of Remix in early forms of mechanical : : reproduction, in seven stages, beginning in the nineteenth century with the: : development of the photo camera and the phonograph, leading to contemporary: : remix culture. This book places particular emphasis on the rise of Remix in: : music during the 1970s and '80s in relation to art and media at the : : beginning of the twenty-first Century. Navas argues that Remix is a type of: : binder, a cultural glueΓÇöa virusΓÇöthat informs and supports contemporary : : culture. : Sharing Widget |