Shearwater - Jet Plane and Oxbow (2016) [V0] - [ Indie rock , Psych folk, Folk rock]seeders: 14
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Shearwater - Jet Plane and Oxbow (2016) [V0] - [ Indie rock , Psych folk, Folk rock] (Size: 103.98 MB)
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This is just Meant only for Sharing and for Spreading this awesome music to everyone. This is for demonstrative and promotional purposes only. No copyright intended or will be intended in this creation.image All intellectual works within are property of their respective content owners. At the request of the holder, will remove this without question. Shearwater - Jet Plane and Oxbow (2016) [V0] 01 - Prime 02 - Quiet Americans 03 - A Long Time Away 04 - Backchannels 05 - Filaments 06 - Pale Kings 07 - Only Child 08 - Glass Bones 09 - Wildlife in America 10 - Radio Silence 11 - Stray Light at Clouds Hill To signal its new musical direction, Shearwater updated its Facebook page with a photo of a gray DeLorean fitted with a flux capacitor. Nowadays, it seems as if every musician on the planet is time traveling to the 1980s for inspiration. Jet Plane and Oxbow takes its cues from '80s-era David Bowie, Talking Heads, and Peter Gabriel. Jonathan Meiburg's art-rock group even limited itself to playing gear from that period—from Korg synths to Rototom drums—but they've avoided sounding like Austin's answer to Kajagoogoo. Opening track "Prime" melds ripples of an Arp Odyssey synthesizer with exclamations of hammered dulcimer to startling effect. Even more surprising? Lead single "Quiet Americans" sounds unlike any other Shearwater song thanks to its keyboard squiggles and fat dead snare sound. The song's lyrics excoriate myopic Americans who "piss on the world below." Indeed, Jet Plane and Oxbow plays like a heart-broken letter to the U.S. On "Pale Kings," Meiburg laments, "You know how sometimes/You're so tired of the country/Its poptones and its pale kings/And its fences like knives/But in the same breath/Your heart breaks with the feeling/With love and with grieving." The knock on Shearwater has always been that they're too serious for their own good. But Meiburg mostly sounds like he's having a blast. That's especially true of album highlight "Filaments." Driven by an afro-funk groove indebted to Brian Eno and David Byrne's My Life in the Bush of Ghosts, Meiburg joins the voice of Wye Oak's Jenn Wasner for a thrilling chorus that emerges from a musical blind curve. Producer Danny Reisch's Pointillistic approach to sonic detail helps bolster Meiburg's strongest melodies to date. Far from retro, Jet Plane and Oxbow lives up to its Back to the Future billing. Sharing Widget |