Rhapsodies In Black - Music and Words from the Harlem Renaissanc

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Added on August 18, 2012 by in Music
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Rhapsodies In Black - Music and Words from the Harlem Renaissanc (Size: 277.22 MB)
 79 - Symphony In Black.mp311.24 MB
 08 - Sweet Man O' Mine.mp34.47 MB
 43 - Ain't Misbehavin'.mp34.45 MB
 64 - Sweetie Dear.mp34.42 MB
 57 - Panama.mp34.33 MB
 72 - Symphony In Riffs.mp34.28 MB
 31 - Sengalese Stomp.mp34.28 MB
 74 - Down South Camp Meetin'.mp34.24 MB
 56 - Minnie The Moocher (The Ho De Ho Song).mp34.23 MB
 28 - East St. Louis Toodle.mp34.23 MB
 68 - I Got Rhythm.mp34.19 MB
 52 - Do Shuffle.mp34.19 MB
 13 - Hard Hearted Hannah.mp34.18 MB
 84 - Honey Dripper Blues.mp34.18 MB
 33 - Dead Drunk Blues.mp34.17 MB
 32 - After You've Gone.mp34.16 MB
 62 - Stormy Weather (Keeps Rainin' All The Time).mp34.14 MB
 69 - Let's Get Together.mp34.11 MB
 37 - Humpty Dumpty.mp34.11 MB
 47 - Harlem Fuss.mp34.1 MB
 49 - Fare Thee Honey Blues.mp34.09 MB
 45 - Bright Boy Blues.mp34.07 MB
 10 - Blues Ain't Nothin Else But!.mp34.03 MB
 71 - Lady Be Good.mp34 MB
 17 - Cake Walking Babies From Home.mp33.99 MB
 44 - A Handfull Of Riffs.mp33.97 MB
 23 - Chili Pepper.mp33.92 MB
 81 - Lookie, Lookie, Lookie Here Comes Cookie.mp33.88 MB
 73 - Sendin' The Vipers.mp33.86 MB
 66 - Baby.mp33.86 MB

Description

Harlem has captivated the imagination of writers, artists, intellectuals, and politicians around the world since the early decades of this century. Rhapsodies in Black: Art of the Harlem Renaissance examines the cultural reawakening of Harlem in the 1920s and 1930s as a key moment in twentieth-century art history, one that transcended regional and racial boundaries. Published to coincide with the exhibition that opens in England and travels to the United States, this catalog reflects the Harlem Renaissance's impressive range of art forms--literature, music, dance, theater, painting, sculpture, photography, film, and graphic design. The participants included not only artists based in New York, but also those from other parts of the United States, the Caribbean, and Europe.

Richard J. Powell and David A. Bailey present selected works that focus on six themes: Representing "The New Negro;" Another Modernism; Blues, Jazz, and the Performative Paradigm; The Cult of the Primitive; Africa: Inheritance and Seizure; and Jacob Lawrence's Toussaint L'Ouverture series. The visual arts from 1919 to 1938 included in the book suggest the extraordinary vibrancy of the time when Harlem was a metaphor for modernity. In spite of the importance of the Harlem Renaissance to early twentieth-century American culture and to the artistic climate of "Jazz Age" Paris and Weimar Berlin, few art exhibitions have been devoted exclusively to the subject. Rhapsodies in Black will be welcomed for its unique presentation of this creative time.



http://www.amazon.com/Rhapsodies-Black-Various-Artists/dp/B00004ZDZC

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277.22 MB
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Rhapsodies In Black - Music and Words from the Harlem Renaissanc