Radiohead Discography (1993-2011) [ALAC]

Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. But the band internalized that epic sweep, turning it inside out to tell tortured, twisted tales of angst and alienation. Vocalist Thom Yorke's pained lyrics were brought to life by the group's three-guitar attack, which relied on texture -- borrowing as much from My Bloody Valentine and Pink Floyd as R.E.M. and Pixies -- instead of virtuosity. It took Radiohead a while to formulate their signature sound. Their 1993 debut, Pablo Honey, only suggested their potential, and one of its songs, "Creep," became an unexpected international hit, its angst-ridden lyrics making it an alternative rock anthem. Many observers pigeonholed Radiohead as a one-hit wonder, but the group's second album, The Bends, was released to terrific reviews in the band's native Britain in early 1995, helping build a more stable fan base. Having demonstrated unexpected staying power, as well as increasing ambition, Radiohead next released OK Computer, a progressive, electronic-tinged masterpiece that became one of the most acclaimed albums of the '90s.

Thom Yorke (vocals, guitar), Ed O'Brien (guitar, vocals), Jonny Greenwood (guitar), Colin Greenwood (bass), and Phil Selway (drums) formed Radiohead as students in 1988 while living in Oxford. Initially called "On a Friday," the band began pursuing a musical career in earnest in the early '90s, releasing the Drill EP in 1992. Shortly afterward, the group signed to EMI/Capitol and released the single "Creep," a fusion of R.E.M. and Nirvana highlighted by a noisy burst of feedback prior to the chorus. "Creep" was a moderate hit, and their next two singles, "Anyone Can Play Guitar" and "Pop Is Dead," gained a small following, even as the British music press ignored the group.

Pablo Honey, Radiohead's album, was released to mixed reviews in the spring of 1993. As the band launched a European supporting tour, "Creep" became a sudden smash hit in America, earning heavy airplay on modern rock radio and MTV. On the back of the single's success, Radiohead toured the U.S. extensively, opening for Belly and Tears for Fears. All the exposure helped Pablo Honey go gold, and "Creep" was re-released in the U.K. at the end of 1993. This time, the single became a Top Ten hit, and the band spent the following summer touring the world.

Although "Creep" made Radiohead a success, it also led many observers to peg the band as a one-hit wonder. Conscious of such thinking, the group entered the studio with producer John Leckie to record its second album, The Bends. Upon its spring 1995 release, The Bends was greeted with overwhelmingly enthusiastic reviews, all of which praised the group's deeper, more mature sound. However, positive reviews didn't sell albums, as Radiohead struggled to be heard during the U.K.'s summer of Brit-pop and as American radio programmers and MTV ignored the record. The band continued to tour as the opening act on R.E.M.'s prestigious Monster tour. By the end of the year, The Bends began to catch on, thanks not only to the band's constant touring but also to the stark, startling video for "Just." The album made many year-end best-of lists in the U.K., and early in 1996, the record reentered the British Top Ten and climbed to gold status in the U.S., helped in the latter by the video for "Fake Plastic Trees."

During the first half of 1996, Radiohead continued to tour before re-entering the studio that fall to record their third album, OK Computer, which was released in the summer of 1997. A devoted following of fans and a handful of enthusiastic critical supporters immediately embraced the album's majestic blend of unfettered prog rock, post-punk angst, eerie electronic textures, and assured songwriting. Since it skillfully teetered between rock classicism and futurism, it earned near-unanimous critical and popular support over the course of the year, which turned into unrestrained adoration in the final two years of the decade, even though its sales still hadn't climbed above gold status.

Expectations for Radiohead's fourth album were stratospheric, which placed additional pressure on the already perfectionist band, and led to several stumbling blocks along the way. An intense buzz of excitement among the band's still-growing following greeted the pre-release appearance of most of the album's tracks on the Internet in MP3 form; they displayed an all-out fascination with challenging, often minimalist electronica. Titled Kid A, the album was finally released in October 2000 and astonished many observers by debuting at number one on the U.S. album charts. While the band didn't release any singles or embark on a formal tour, the album met with a mixed critical response as the group was accused of creating a distant and radio-unfriendly record; however, it did remain a fan favorite.

In June of 2001, Radiohead quickly released an album under the name Amnesiac that consisted of material that was recorded during the Kid A sessions. The band made it very clear, though, that it was not to be considered an outtakes album; rather, they insisted that the two albums were of clear and separate concept. Regardless, Amnesiac debuted at number one in the U.K. and number two on the U.S. chart (behind then-stronghold Staind), while outselling Kid A in week one by 25,000 copies. The singles "Pyramid Song" and "Knives Out" were culled from Amnesiac with a subsequent world tour. While planning "I Might Be Wrong" for a third single, the idea expanded into a live "mini-album," titled after the track, that was released in November of 2001. Hail to the Thief, the proper follow-up to Amnesiac, was relatively direct in structure and peaked at number three on the U.S. chart. Sporadic recording sessions resumed in early 2005, but a projected release date for the band's seventh studio album remained 2007 as Yorke prepared a solo album, The Eraser, which was issued in July 2006.

On October 1, 2007, the bandmembers announced that they had finished their seventh album, In Rainbows, and that it would be "out" in a matter of ten days. Giving fans the option to pay whatever they'd like for the album as a zip file of MP3s, Radiohead also devised a pre-order system for the physical version of the album -- a "discbox" containing a double-vinyl version, a CD copy with an enhanced six-track bonus disc, a lyric book, and photos. This was done without the involvement of a record label. However, deals were eventually struck for standard retail releases. In late December, XL issued the album in the U.K., where it topped the album chart. The feat was repeated the following month in the U.S., where it was issued through the TBD label. Sonically and lyrically, In Rainbows was one of their warmest and most direct albums to date.

Radiohead took a somewhat similar approach for the release of The King of Limbs. On February 14, 2011, the band announced that the album would be issued in five days as a fixed-price download with physical releases to follow. Standard CD and vinyl versions were scheduled for late March via XL and TBD, while an elaborately packaged double 10" vinyl/CD set was scheduled for early May. The two-disc TKOL RMX 1234567 followed five months later, featuring 19 remixes of King of Limbs tracks from the likes of Jamie xx, Caribou, Four Tet, and Nathan Fake. The band also recorded a live set of songs from the album as part of the From the Basement video series, and subsequently released the set, titled King of Limbs: Live from the Basement, in 2012.


1993 - Pablo Honey
1995 - The Bends
1997 - OK Computer
2000 - Kid A
2001 - Amnesiac
2001 - I Might Be Wrong: Live Recordings
2003 - Hail to the Thief
2007 - In Rainbows
2011 - The King of Limbs

1993 Pablo Honey

01. You 03:28
02. Creep 03:55
03. How Do You? 02:12
04. Stop Whispering 05:25
05. Thinking About You 02:41
06. Anyone Can Play Guitar 03:37
07. Ripcord 03:09
08. Vegetable 03:12
09. Prove Yourself 02:25
10. I Can't 04:13
11. Lurgee 03:07
12. Blow Out 04:42

1995 The Bends

01. Planet Telex 04:19
02. The Bends 04:06
03. High And Dry 04:17
04. Fake Plastic Trees 04:50
05. Bones 03:09
06. (Nice Dream) 03:53
07. Just 03:54
08. My Iron Lung 04:36
09. Bullet Proof..i Wish I Was 03:28
10. Black Star 04:07
11. Sulk 03:42
12. Street Spirit (Fade Out) 04:14

1997 OK Computer

01. Airbag 04:44
02. Paranoid Android 06:23
03. Subterranean Homesick Alien 04:27
04. Exit Music (for a Film) 04:24
05. Let Down 04:59
06. Karma Police 04:21
07. Fitter Happier 01:57
08. Electioneering 03:50
09. Climbing Up the Walls 04:45
10. No Surprises 03:48
11. Lucky 04:19
12. The Tourist 05:26

2000 Kid A

01. Everything In Its Right Place 04:11
02. Kid A 04:44
03. The National Anthem 05:51
04. How To Disappear Completely 05:56
05. Treefingers 03:42
06. Optimistic 05:15
07. In Limbo 03:31
08. Idioteque 05:09
09. Morning Bell 04:35
10. Motion Picture Soundtrack 07:01

2001 Amnesiac

01. Packt Like Sardines In A Crushd Tin Box 04:00
02. Pyramid Song 04:48
03. Pulk/Pull Revolving Doors 04:07
04. You And Whose Army? 03:11
05. I Might Be Wrong 04:53
06. Knives Out 04:14
07. Morning Bell/Amnesiac 03:14
08. Dollars And Cents 04:51
09. Hunting Bears 02:01
10. Like Spinning Plates 03:57
11. Life In A Glasshouse 04:36

2003 Hail To The Thief

01. 2 + 2 = 5 03:19
02. Sit Down. Stand Up. 04:19
03. Sail To The Moon. 04:18
04. Backdrifts. 05:22
05. Go To Sleep. 03:21
06. Where I End And You Begin. 04:29
07. We Suck Young Blood. 04:56
08. The Gloaming. 03:32
09. There There. 05:23
10. I Will. 01:59
11. A Punchup At A Wedding. 04:57
12. Myxomatosis. 03:52
13. Scatterbrain. 03:21
14. A Wolf At The Door. 03:23

2007 In Rainbows

01. 15 Step 03:58
02. Bodysnatchers 04:02
03. Nude 04:15
04. Weird Fishes / Arpeggi 05:18
05. All I Need 03:48
06. Faust Arp 02:09
07. Reckoner 04:50
08. House Of Cards 05:28
09. Jigsaw Falling Into Place 04:09
10. Videotape 04:42

2011 The King Of Limbs

01. Bloom 05:14
02. Morning Mr. Magpie 04:40
03. Little By Little 04:27
04. Feral 03:12
05. Lotus Flower 05:00
06. Codex 04:46
07. Give Up The Ghost 04:50
08. Separator 05:21

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