Orchestra Baobab On Verra Ca

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Recorded in Paris in 1978, On Verra Ça is the first recording by the fully matured Orchestra Baobab. The rumba influence is pronounced on the opening "El Son De Llama," but mostly the Latin tinge has now been absorbed into a distinctive group sound, with upbeat, sprightly songs like "Africa" built around choppy, syncopated riffs flavored by horns and a galloping rhythm guitar. "Sibam" follows that blueprint, but the tempo is faster and there's a stronger percussion presence than the light norm here. The title track is the masterpiece, totally hypnotic, it sticks in your head for days. The slow, mournful "Tante Marie" boasts two-sax horn parts and a moody guitar melody — the opening to Barthelemy Attisso's solo opening even sounds a little bit like something from the third Velvet Underground album, of all things. "El Fuego" has more of a Latin lilt and exceptionally good voices, while the horns and those vocal harmonies again really cut through on the highly infectious "Digon." It's hard to pinpoint precisely what makes Orchestra Baobab's vocal squad sound so special — probably a combination of the quality of the different voices and the unforced naturalness and sincerity of the singing.