Ne te retourne pas (Don't Look Back) [FRA sub ITA-ENG]

IMDb: http://www.imdb.com/title/tt1075113



a.k.a.
Don't Look Back
Encontro com o Passado

Titre : Ne te retourne pas
Réalisation : Marina de Van
Idée originale : Marina de Van
Scénario et dialogues : Marina de Van, Jacques Akchoti
Mise en scène : Marina de Van
Directeur de la photographie : Dominique Colin
Cadre : Georges Diane
Chef décoratrice : Véronique Sacrez
Son : Marc Bastien, Carlo Thoss, Thomas Gauder
Musique originale : Luc Rollinger
Montage : Mike Fromentin
Directeur technique image : Lionel Kopp
Directeur des effets visuels : Krao
Vérification d'images : Aurélien Martinou
Travelling voiture : Stéphane Boulay
Directeur de production : Philippe Hagège
Coproduction : Jani Thiltges, Diana Elbaum, Conchita Airoldi
Production : Patrick Sobelman
Pays d'origine : Drapeau : France France
Genre : Thriller
Format : Couleur
Tournage : à Paris, au Luxembourg et à Lecce, Italie.
Date de sortie : France : 3 juin 2009

Sophie Marceau : Jeanne
Monica Bellucci : Jeanne / Rosa Maria
Andrea Di Stefano : Teo / Gianni
Thierry Neuvic : Teo 2
Brigitte Catillon : Nadia 1 / Mère italienne
Sylvie Granotier : Nadia 2
Augusto Zucchi : Fabrizio
Giovanni Franzoni : Enrico
Vittoria Meneganti : Enfant brune 11 ans
Francesca Melucci : Enfant blonde 9 ans
Didier Flamand : Robert
Serena d’Amato : Donatella
Adrien de Van : Le psychiatre

Jeanne, plongée dans l'écriture d'un premier roman, constate des changements mystérieux autour d'elle et voit son corps se transformer... Son entourage ne semble pas s'en apercevoir. Troublée, elle découvre chez sa mère une photographie qui la met sur la trace d'une femme, en Italie. Jeanne, désormais transformée, y trouvera la clef d'un étrange passé...

Jeanne è una giornalista che scrive biografie storiche di successo. Sente però il bisogno di passare al romanzo autobiografico ma l'editore non le da fiducia. La donna, sposata e con due figli, torna a casa turbata. In strada ha visto una bambina che pensa di conoscere non riuscendo però a identificarla. Comincia poi ad avere la sensazione che il tavolo di cucina sia stato spostato per poi continuare non riconoscendo più il marito e i figli. Anche il suo corpo cambia progressivamente fino a quando si trasformerà in un'altra donna di origini italiane.

Jeanne, a married woman with two young children, starts to notice small changes taking place in the arrangement of objects in her family's home--furniture, pictures, rooms--as well as in her physical appearance. The problem is that she seems to be the only one noticing these changes. She is, however, absolutely certain that her changes of perception are a result of something profound, and are not caused by stress or fatigue, as everyone else seems to think. Feeling increasingly out of sorts, ever more distant and even psychologically cut off from her husband and children, who are baffled by her behavior, she goes to her mother in the hope that she, at least, will provide some clarification or otherwise soothing solution for her. At her mother's home, she comes across a photograph of what she believes, or has been led to believe, is herself as a young girl, her mother, and another woman. What she sees in that photograph moves her to travel to Italy in order to track that woman down. In Italy, Jeanne successfully tracks down not only that woman but also, so to speak, herself. There she begins to solve the mystery behind her changes, or rather, comes to learn the truth about herself and her situation.














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