Miles Davis - On The Corner - 1972, Vinyl Rip

Miles Davis - On The Corner - 1972

Chick Corea, Herbie Hancock, John McLaughlin, Michael Henderson, Dave Liebman, Carlos Garnett, Harold I. Williams, David Creamer & more

CBS / Sony, SOPL-125, Japanese 1st press (?)

LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)

Rip by aksman

Side one
01 - On The Corner (02:58)
02 - New York Girl (01:29)
03 - Thinkin' One Thing And Doin' Another (06:40)
04 - Vote For Miles (08:45)
05 - Black Satin (05:14)

Side two
06 - One And One (06:07)
07 - Helen Butte (16:05)
08 - Mr Freedom X (07:07)

All songs written by Miles Davis.

Personnel

Miles Davis ΓÇô electric trumpet with Wah Wah
Dave Liebman ΓÇô soprano saxophone
Carlos Garnett ΓÇô soprano and tenor saxophone
Chick Corea ΓÇô electric piano
Herbie Hancock ΓÇô electric piano, synthesizer
Harold I. Williams ΓÇô organ, synthesizer
Lonnie Liston Smith ΓÇô organ
John McLaughlin ΓÇô electric guitar
David Creamer ΓÇô electric guitar
Michael Henderson ΓÇô electric bass with Wah Wah
Khalil Balakrishna - electric sitar
Bennie Maupin ΓÇô bass clarinet
Collin Walcott ΓÇô electric sitar
Badal Roy ΓÇô tabla
Jack DeJohnette ΓÇô drums
Al Foster - drums
Jabali Billy Hart ΓÇô drums, bongos
Don Alias ΓÇô percussion
James "Mtume" Foreman ΓÇô percussion
Paul Buckmaster ΓÇô cello


Technical Log

RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 1.21 for resampling and dithering

Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 1.21
> split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.

Personal Note (from aksman)

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.