[Mike Chopra-Gant]Hollywood Genres and Post-war America Masculinity, Family and Nation in Popular Movies and Film Noir(pdf){Zzzzz}

American culture after the end of World War II has been characterized by an abiding pessimism most clearly manifested in the film noirs of the period. Mike Chopra-Gant challenges this "noir and Zeitgeist" reading and proposes that the view of American cinema and society it develops relies on a retrospective re-imagining of the era, based on the erroneous promotion of selected movies. His vigorous revisionist account of the films and culture of the period also challenges traditional approaches to genre, to masculinity and the family, by focusing on key themes in the most popular films in terms of box office revenues, including Best Years of Our Lives, Night and Day, Scarlet Street and Gilda.

Publisher: I. B. Tauris (December 22, 2005)
Language: English
ISBN-10: 1850438382
ISBN-13: 978-1850438380

Most Helpful Customer Reviews

New View of the Post War Movies
By John Matlock on June 21, 2006
The commonly held opinion about American movies in the years 1946-50 is that they reflect a culture that was having a crisis of masculinity, a perception of widespread corruption in society and a prevailing sense of gloom, pesimism and cynicism.

In this book Chopra-Gant presents a revisionist view of the films of this period. He argues that the wrong films were studied to generate this view. Instead he researched the most popular films (in terms of revenue generated) of 1946 and in these films the tone is quite different. Many of these films instead show the triumph of American beliefs - democracy, classlessness and individualism.

One point he discusses is the fall off in revenue spent on movies after 1947. He does not supply a reson for this, but I suspect that it had nothing to do with the movies, instead it had to do with the start of the baby boom. Younger people, and dating people tend to go to the movies a lot more than married people who now have an infant at home.