Mahanagar@Kolkata Bengali Movie 2010 Xvid[sparcline]

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Duration- 01:33:48.2
File size- 1.01 GB


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Format- XVID MPEG-4
Bitrate- 1372.00 kbps
Video Size- 720x480 pixels
Frame Rate- 25.00 fps


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Formate- mp3
Bitrate- 128.00 kbps
Channels- 2 (Stereo)
Sample Rate- 44100 Hz

Mahanagar@Kolkata (Bengali, 2010) Information

Banner: A.V.A. Film Productions Pvt. Limited.
Producer: Pawan Kanodia
Director: Suman Mukhopadhyay
Story: Nabarun Bhattacharya
Cinematography: Indranil Mukherjee
Editing: Arghyakamal Mitra
Music: Rupam Islam
Cast: Anjan Dutt, Arun Mukhopadhyay, Biplab Chatterjee, Chandan Roy Sanyal, Rituparna Sengupta, Sreelekha Mitra, Kabir Suman, Pawan Kanodia
Date of Release:June 4, 2010



Mahanagar Kolkata Movie Review

The bloodied handprint of Rongili (Rituparna Sengupta) on husband Rohit (Chandan Roy Sanyal)’s bare back writes the tragic finis to a marriage gone awry. A piece of nylon thread carefully packed in a cellophane packet is the only hope for Jagannath (Biplab Chatterjee) about his injured son coming out of his critical state. Selim (Anindya Banerjee), an anti-social, forces a gun into the hand of Biren (Arun Mukhopadhyay), a vulnerable man in the margins, points it at his head, and commands him to pull the trigger to prove that he has nothing to fear. There is a finely orchestrated illusory sequence of Rongili being prepared for an elaborate self-immolation through Sati seen through the hallucinatory vision of Rohit. A man is beaten to death in the compound of a dilapidated public hospital in the middle of the night. The murder is witnessed by two disparate characters drawn together by fear. The beautiful Kamalini (Sreelekha Mitra) shakes boyfriend Rohit off-balance as she spouts intellectual takes on Karl Marx, Leo Tolstoy and the four theories of suicide. These are bits and pieces of a collage of a triptych called Mahanagar@Kolkata directed by Suman Mukhopadhyay based on three powerful but cinema-unfriendly short stories by Nabarun Bhattacharya, known for mercilessly opening up the underbelly of the city with characters that spring out of dark alleys and margins co-existing, in these three stories, in fear.