Lynda.com - DaVinci Resolve 12 Advanced Color Grading

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Added on April 6, 2016 by Fixeronin Other > Tutorials
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Lynda.com - DaVinci Resolve 12 Advanced Color Grading (Size: 3.11 GB)
 001 Welcome.mp484.5 MB
 002 What you need to know before starting this course.mp48.32 MB
 003 Using the exercise files.mp434.47 MB
 004 Studio databases - Postgres.mp430.52 MB
 005 Finding and connecting to disconnected Postgres databases.mp48.59 MB
 006 Backing up and restoring databases.mp47.85 MB
 007 Restoring databases.mp46.56 MB
 008 Updating existing Studio databases.mp415.22 MB
 009 Working with multiple users.mp411.12 MB
 010 Unlocking users.mp49.68 MB
 011 Using the Take Selector.mp427.08 MB
 012 Compound clips - Creating and editing.mp413.85 MB
 013 Compound clips - Grading.mp413.21 MB
 014 Working with nested timelines.mp413.85 MB
 015 Copy and paste video and audio attributes.mp415.69 MB
 016 Media management - When to use It.mp420.17 MB
 017 Media management - Rules of the road.mp416.87 MB
 018 Media management - Understanding the options.mp420.34 MB
 019 Conforming timelines vs. relinking media.mp445.27 MB
 020 Relinking media vs. change source folder.mp423.15 MB
 021 Implications of Resolve's 32-bit image-processing pipeline.mp420.8 MB
 022 Optimizing your workflow for Resolve's image-processing pipeline.mp423.29 MB
 023 Grading at the track level.mp418.89 MB
 024 The sizing menu - Overview.mp415.53 MB
 025 The sizing menu - Input vs. edit sizing.mp413.75 MB
 026 The sizing menu - Node sizing.mp49.63 MB
 027 The sizing menu - Output sizing.mp410.92 MB
 028 The sizing menu - Changing and protecting your aspect ratio.mp420.73 MB
 029 Staying organized - Compound nodes.mp416.96 MB
 030 Changing serial node color spaces.mp420.16 MB

Description

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Advanced | 7h 6m | 3.14 GB | Project Files | Software used: DaVinci Resolve 12

Info: DaVinci Resolve 12 is a mature product that has evolved from “big iron” (mainframe-based) post-production facilities and into a powerful but compact desktop application. It has a deep, robust feature set that allows users to grow into the software once they’ve mastered the fundamentals. This course offers the advanced tutorials editors and colorists need to become Resolve savvy. Indie feature film and broadcast colorist Patrick Inhofer puts these more sophisticated features to practical use—color-grading shots from a documentary. Along the way, he covers the Resolve Studio databases, media management, advanced primary and secondary color-correction techniques, and even Resolve performance optimization. Follow along with the three “In Action” chapters to learn how to create a base grade, match shots, and build cinematic looks. Plus, get a glimpse into the advanced features available only in DaVinci Resolve Studio, such as motion effects and noise reduction, to help you decide if you need to upgrade to the paid version of DaVinci Resolve. It doesn’t matter what kinds of projects you shoot or edit. This training will help you develop your color correction “muscles” and deliver better results more reliably every time.

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Lynda.com - DaVinci Resolve 12 Advanced Color Grading