Lean Left - Live at Area Sismica (2014)seeders: 4
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Lean Left - Live at Area Sismica (2014) (Size: 462.86 MB)
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http://www.unsounds.com/shop/area-sismica-digital http://www.unsounds.com/shop/area-sismica http://www.kenvandermark.com...n-left-live-at-area-sismica/ http://www.catalyticsound.co...n-left-live-at-area-sismica/ * Ken Vandermark: tenor saxophone, baritone saxophone, Bb clarinet * Paal Nilssen-Love: drums * Terrie Ex: guitar (left) * Andy Moor: guitar (right) http://www.kenvandermark.com...guitars-meets-kvpnl-duo-bio/ http://nl.wikipedia.org/wiki/The_Ex_%28band%29 http://en.wikipedia.org/wiki/The_Ex_%28band%29 http://de.wikipedia.org/wiki/The_Ex http://es.wikipedia.org/wiki/The_Ex Recorded live by Ariele Monti in concert at Area Sismica, Forlì, regione Emilia-Romagna, provincia di Forlì-Cesena, comune di Forlì, Italy, on September 22, 2012. http://www.areasismica.it/event/lean-left-nl-no-usa/ http://twitter.com/areasismica http://it.wikipedia.org/wiki/Provincia_di_Forl%C3%AC-Cesena http://es.wikipedia.org/wiki/Provincia_de_Forl%C3%AC-Cesena http://www.areasismica.it/ Reviews By Vito Camarretta http://www.chaindlk.com/reviews/?id=8423 I guess that if a seismologist listens this live recording (the second one on Unsounds catalogue after the one at Cafe' Oto, London) at Area Sismica, a nice place in Forli', Italy, where the noisy collision by The Ex former guitarist Terrie Ex and Andy Moor, the hectic drummer Paal Nilssen Love and the brilliant jazz composer Ken Vandermark, who played a baritone saxo, a tenor saxophone, a bass clarinet and a phone, held the final incendiary date of a very long tour on 22nd September 2012, the day when Ken celebrated his 48th birthday, he would include their opening tuning as possible earthquake precursors together with radon emission, variations of the ratio between the velocity of seismic primary and secondary waves, electro-magnetic variations, fits of pique by barking dogs and nervously croaking frogs! Four minutes of somewhat menacing tuning precede the moment when Lean Left begins to frack the grounds of free jazz on "Traitors Head", whose lava flow and lapilli placidly merge into "Moti", where you can almost envisage and smell the smoke from charred underbush, volcanic ashes and the slow fiery run of lava rivers which etorts the first clapping by lucky audience. The clapping sounds more enthusiastic at the end of the two following long-lasting eruptions that they conveniently named after two volcanoes, "Terpuk" - the moment when their technical skills reaches the acme - and "South Sister", whose churning explosions are so intense that a chilling break on "Cleft Segment" is almost a necessity before the final fury of "Gada Ale". Really incandescent live-session! -- By Antonio Poscic http://www.freejazzblog.org/...t-area-sismica-unsounds.html http://www.potlista.com/rece...an-left-live-at-area-sismica By Marcin Jachnik (pl/en) http://www.multikulti.com/live-at-area-sismica.html Par Guillaume Belhomme (fr) http://grisli.canalblog.com/...ves/2014/12/04/31078754.html Por Pachi Tapiz (es) http://www.tomajazz.com/web/?p=13393 Sharing Widget |