James Taylor - JT (1977) [24 bit FLAC] vinyl

James Taylor - JT (1977) [24 bit FLAC] vinyl

Genre: Pop/Rock, Folk
Styles: Singer/Songwriter, Soft Rock
Source: CBS 86029 Netherlands vinyl
Codec: FLAC
Bitrate: ~ 2,900 kbps
Bit Depth: 24
Sampling Rate: 96,000 Hz

01. Your Smiling Face
02 There we Are
03 Honey Don't Leave L.A.
04 Another Grey Morning
05 Bartender's Blues
06 Secret O' Life
07 Handy Man
08 I Was Telling Only A Lie
09 Looking For Love On Broadway
10 Terra Nova
11 Traffic Jam
12 If I Keep My Heart Out Of Sight

Rip Info: (not my rip)

Linn Lingo LP12
Ittok LV II arm
Ortofon MC 20 Super II Cartridge
Accuphase C11 MC phono-pre
van den Hul "the Second" interlink
Tascam US 144 ADC
Adobe Audition 1.5 and CD Wave 1.95.2

On his last couple of Warner Brothers albums, Gorilla and In the Pocket, James Taylor seemed to be converting himself from the shrinking violet, too-sensitive-to-live "rainy day man" of his early records into a mainstream, easy-listening crooner with a sunny outlook. JT, his debut album for Columbia Records, was something of a defense of this conversion. Returning to the autobiographical, Taylor declared his love for Carly Simon ("There We Are"), but expressed some surprise at his domestic bliss. "Isn't it amazing a man like me can feel this way?" he sang in the opening song, "Your Smiling Face" (a Top 40 hit). At the same time, domesticity could have its temporary depressions ("Another Grey Morning"). The key track was "Secret O' Life," which Taylor revealed as "enjoying the passage of time." Working with his long-time backup band of Danny Kortchmar, Leland Sklar, and Russell Kunkel, and with Peter Asher back in the producer's chair, Taylor also enjoyed the playing of music, mixing his patented acoustic guitar-based folk sound with elements of rock, blues, and country. He even made the country charts briefly with "Bartender's Blues," a genre exercise complete with steel guitar and references to "honky tonk angels" that he would later re-record with George Jones. The album's Top Ten hit was Taylor's winning remake of Jimmy Jones' "Handy Man," which replaced the grit of the original with his characteristic warmth. JT was James Taylor's best album since Mud Slide Slim and the Blue Horizon because it acknowledged the darkness of his earlier work while explaining the deliberate lightness of his current viewpoint, and because it was his most consistent collection in years. Fans responded: JT sold better than any Taylor album since Sweet Baby James.