Holy.Motors.(2012).1080p.[BD FULL].HQF

DATI FILM:



Titolo Originale: Holy Motors

NazioneFrancia, Germania

Regista: Leos Carax

Genere: Drammatico

Anno: 2012

Durata: 115 minuti



CAST:



Denis Lavant, Edith Scob, Eva Mendes, Kylie Minogue, Cordelia Piccoli, Elise Lhommeau



TRAMA:



Dall'alba al tramonto, qualche ora nella vita di Monsieur Oscar, un personaggio oscuro che viaggia da una vita all'altra. Lui è, a sua volta, capitano d'industria, assassino, mendicante, mostro, padre di famiglia ... Sembra recitare ruoli, immergendosi a capofitto in ogni sua parte? Monsieur Oscar è solo, accompagnato solo da Céline, la bionda esile donna al volante del mezzo che lo trasporta attraverso e intorno a Parigi. Ma dove è la sua vera casa, la sua famiglia, il suo riposo?



TRAILER:



http://www.youtube.com/watch?v=EULfOYn8-cw&feature=player_embedded



AVINAPTIC:



DISC INFO:



Disc Title: Holy.Motors.(2012).1080p.[BD FULL].HQF

Disc Size: 35.483.061.432 bytes

Protection: AACS

BD-Java: Yes

Extras: 50Hz Content

BDInfo: 0.5.8



PLAYLIST REPORT:



Name: 00000.MPLS

Length: 1:55:40.058 (h:m:s.ms)

Size: 30.861.330.432 bytes

Total Bitrate: 35,57 Mbps



VIDEO:



Codec Bitrate Description

----- ------- -----------

MPEG-4 AVC Video 26710 kbps 1080p / 23,976 fps / 16:9 / High Profile 4.1



AUDIO:



Codec Language Bitrate Description

----- -------- ------- -----------

Dolby Digital Audio Italian 224 kbps 2.0 / 48 kHz / 224 kbps / DN -4dB

Dolby Digital Audio Italian 448 kbps 5.1 / 48 kHz / 448 kbps / DN -4dB

DTS-HD Master Audio Italian 4027 kbps 5.1 / 48 kHz / 4027 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)

Dolby Digital Audio French 448 kbps 5.1 / 48 kHz / 448 kbps / DN -4dB

DTS-HD Master Audio French 1679 kbps 5.1 / 48 kHz / 1679 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)



SUBTITLES:



Codec Language Bitrate Description

----- -------- ------- -----------

Presentation Graphics Italian 0,002 kbps

Presentation Graphics Italian 9,075 kbps



Year: 2012

Runtime: 115 minutes

Age Classification:

Country Rating

Netherlands 16

Ireland 16

Australia MA15+

Canada 14A

USA Not Rated

UK 18

France U

Portugal M/16

Brazil 14

Hong Kong III

South Korea 18

Mexico B15



Rating: 7.0/10 7.0/10

Votes: 17,898

Languages: French, English, Chinese

Country: France, Germany

Genre: Most Popular by Genre, Drama, Fantasy, Drama, Fantasy

Colors: Black and White, Color

Sound: Dolby Digital

Plot Outline: From dawn to dusk, a few hours in the shadowy life of Monsieur Oscar...

User Comments:





Magical head-scratcher

12 August 2012 | by markdroulston (New Zealand) – See all my reviews It's going to be difficult to keep this short.



One of the darlings of the 2012 festival circuit, Leos Carax's Holy Motors delivers a pure cinematic experience designed to confront and challenge our understanding of the art form at every level. At the risk of over-simplifying a film that is anything but simple, Holy Motors is a film about the cinema as it stands today, and the deft ways in which Carax explores various aspects of his subject, whether addressing film- makers themselves, we the audience, or even the debate over physical versus digital media, are so rich and dense that it is impossible to absorb it all after a single viewing. As such it is sure to alienate and infuriate perhaps the majority of viewers, yet those who find themselves swept up in the abstract beauty of it all are in for an inspiring, enlightening, and at times overwhelming two hours.



Holy Motors follows a day in the life of Monsieur Oscar (a mind-boggling Denis Lavant), an actor whose roles seem to take place out in the real world rather than on the stage or screen. As Oscar is ferried from one assignment to the next by his faithful limousine driver Céline (Edith Scob), so too does writer-director Carax transport us to his next discussion point. Each surreal vignette is presented without much in the way of explanation, and Carax refuses to hold the hand of the audience, instead offering viewers the chance to piece the film together themselves. Similarly, Lavant's remarkable performance can turn without warning, shifting the entire film's tone from tragic to comical at a moment's notice, further disorienting the audience. While some of Oscar's 'roles' have illuminating punchlines to ease our understanding, the majority are much more conceptual, and will demand repeat viewings to unpack before Carax's intentions for the piece as a whole will become clear, if they ever will.



In a year where chatter surrounding huge tent-pole releases is choking social media and online communities, Holy Motors is the film that most deserves to be discussed, and debates about the film amongst cinéastes are likely already in full swing. While the audience who will really connect with the film is going to be comparatively small, nothing has offered this much to chew on for some time, and its value to those who appreciate it will only increase over time. Holy Motors cannot really be approached effectively in a brief review such as this, as it's not exactly an easy film to recommend or not given that each individual could potentially take something different from seeing it. But for those seeking a respite from the mindlessness of blockbuster season, seeing Holy Motors is a no-brainer. Carax almost forces the audience into an intellectual tug-of-war without ever feeling like he is talking down to us, rather that he wants us to reconsider the world of cinema, and not least of all our own place in it.



tinribs27.wordpress.com



Trailers: http://akas.imdb.com/video/imdb/vi2903483417/

http://akas.imdb.com/video/imdb/vi2804720153/

http://akas.imdb.com/video/imdblink/vi3120800281/

http://akas.imdb.com/video/imdblink/vi270639641/