Greensleeves: A Collection of English Lute Songs

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Added on May 17, 2009 by in Music
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Greensleeves: A Collection of English Lute Songs (Size: 281.59 MB)
 01 Morley_ It Was A Lover & His Lass.m4a8.79 MB
 02 Campion_ Author Of Light.m4a15.58 MB
 03 Anon_ Watkin's Ale.m4a6.76 MB
 04 Ferrabosco_ So Beauty On The Wate.m4a7.52 MB
 05 Rosseter_ When Laura Smiles.m4a9.37 MB
 06 Holborne_ Galliard.m4a8.25 MB
 07 Dowland_ In Darkness Let Me Dwell.m4a19.41 MB
 08 Anon_ Bonny Sweet Boy.m4a5.02 MB
 09 Anon_ Greensleeves.m4a15.11 MB
 10 Cavendish (M)_ Wand'Ring In This.m4a12.16 MB
 11 Anon_ Packington's Pound.m4a6.48 MB
 12 Campion_ Shall I Come Sweet Love.m4a9.6 MB
 13 Dowland_ Sorrow Stay.m4a15.83 MB
 14 Anon_ Sweet Youth Go Bruise Thy P.m4a6.97 MB
 15 Anon_ Kemp's Jig.m4a4.99 MB
 16 Campion_ It Fell On A Summer's Da.m4a12.37 MB
 17 Dowland_ Come Again.m4a24.48 MB
 18 Anon_ Wilson's Wild.m4a5.85 MB
 19 Downland_ Away With These Self Lo.m4a13.82 MB
 20 Lanier_ Mark How The Blushful Mor.m4a11.15 MB
 21 Campion_ Never Weather-Beaten Sai.m4a9.7 MB
 22 Holborne_ The Cradle Pravan.m4a17.48 MB
 23 Campion_ If Thou Longst So Much T.m4a12.36 MB
 24 Anon_ Robinson's May.m4a4.17 MB
 25 Downland_ Time Stands Still.m4a18.39 MB
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Description

Music : Classical : Lossless



Greensleeves: A Collection of English Lute Songs

The lute is a string instrument with a fretted neck and a deep, round back. In many ways, it is related to later similar instructments such as the guitar and banjo. It descends from a Middle Eastern instrument similar to the oud. The lute was one of the major musical instruments of the Middle Ages, and much music was composed for the lute, both as a stand-alone instrument as well as an accompaniment for singers.

This disc has some samples of both. Some songs are anonymous compositions, often derivative of much older folk tunes. Others are original compositions whose composers are known by name. Among these names are John Dowland, Thomas Morley, Alfonso Ferrabosco, Michael Cavendish, Thomas Campion, Nicholas Lanier, and Anthony Holborne, all of the 1500s/1600s. The music here involves both the 8-course lute and the 10-course lute (during the later Baroque time, lutes could have as many as 28 strings!).

The lute was eventually displaced by keyboard and other instruments, so in many ways its life is that of the music of the past. However, with recordings such as these, the lute lives again in vibrant form. Ronn McFarlane learned to play on a cheap steel-string guitar, but continued to study in a rather eclectic fashion, eventually studying at the Shenandoah Conservatory and the Peabody Conservatory prior to settling upon the lute as his primary instrument. In this recording, he is paired with Julianne Baird, a soprano with significant recording experience.

McFarlane and Baird emphasise the simplicity and lightness of the songs here; while some lute music and some folk tunes can be very elaborately arranged, here the performers strive for a more direct elegance. The particular period emphasised is Elizabethean; McFarlane and Baird sound as if they have come directly from the Queen's court directly.

This is a beautiful recording.



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Greensleeves: A Collection of English Lute Songs