French Postimpressionism (Art Paintings)

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Added on September 16, 2014 by StevanBG66in Other > Pictures
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French Postimpressionism (Art Paintings) (Size: 147.35 MB)
 Louis Valtat - Pines by the Sea, Antheor, 1899.jpeg2.13 MB
 Louis Valtat - Barges on the Seine, 1905.jpeg2.06 MB
 Charles Camoin - Provencal Landscape, 1908.jpeg2.04 MB
 Louis Valtat - By the Sea, 1904.jpeg2.02 MB
 Louis Valtat - Field of Corn, 1917.jpeg1.99 MB
 Francis Picabia - Banks of the Eure, Sunlight Effect, Evening, 1901.jpeg1.98 MB
 Francis Picabia - Sunlight on the Banks of the Loing, 1908.jpeg1.8 MB
 Ferdinand du Puigaudeau - Stacks of Hay and Field of Poppies.jpeg1.79 MB
 Achlle Lauge - Road with Flowering Almond Trees, 1910.jpeg1.79 MB
 Emile-Othon Friesz - The Port of Anvers, 1906.jpeg1.78 MB
 Ferdinand du Puigaudeau - Table with Yellow Bouquet.jpeg1.7 MB
 Charles Camoin - Morrican Girl Serving Tea, 1913.jpeg1.69 MB
 Emile-Othon Friesz - The Bay of Cassis, 1906.jpeg1.68 MB
 Auguste Herbin - Snow at Haut-Isle, 1906.jpeg1.67 MB
 Louis Valtat - Le Rocher dans la Mer.jpg1.66 MB
 Louis Valtat - Flowers, 1913.jpeg1.65 MB
 Louis Valtat - An Abandoned Farm, 1912.jpeg1.64 MB
 Emile-Othon Friesz - Figures in a Landscape, 1908.jpeg1.64 MB
 Charles Camoin - Spring in Saint-Tropez, 1921.jpeg1.63 MB
 Achille Lauge - A Road in Champagne near Cailhau, 1908.jpeg1.62 MB
 Auguste Herbin - Hamburg's Port, 1907.jpeg1.61 MB
 Emile-Othon Friesz - L'Estaque, 1907.jpeg1.59 MB
 Charles Camoin - Village Street, Collioure, 1912.jpeg1.58 MB
 Emile-Othon Friesz - Sainte-Victoire Mountain, 1906.jpeg1.58 MB
 Francis Picabia - Morning Effect, Banks of the Yonne River, 1905.jpeg1.58 MB
 Louis Valtat - Lilies and Delphiniums Stoneware Pitcher, 1920.jpeg1.57 MB
 Louis Valtat - Mother and Child on the Beach, 1909.jpeg1.57 MB
 Francis Picabia - Moret, Route des Pres, 1903.jpeg1.56 MB
 Francis Picabia - La pointe du port а Saint-Tropez, 1900.jpeg1.52 MB
 Achille Lauge - Alrededores Cailhau.jpg1.5 MB

Description



217 jpg / 147 MB

Post-Impressionism (also spelled Postimpressionism) is the term coined by the British artist and art critic Roger Fry in 1910 to describe the development of French art since Manet. Fry used the term when he organized the 1910 exhibition Manet and the Post-Impressionists. Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colours, often thick application of paint, and real-life subject matter, but they were more inclined to emphasize geometric forms, to distort form for expressive effect, and to use unnatural or arbitrary colour.


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French Postimpressionism (Art Paintings)