FF (July 2011) Sylvia Brownrigg - Pages for You

Haunted by an unspoken passion, a narrator decides to write some pages, pages comprising the story of the beginning, the blossoming, and finally the ending of a young woman's most intense love affair.

‘Each day a page, to show you that I am finding a story, the story of how we might have been together, once. Of how we could be.’ An unformed, innocent student in her first semester at university, Flannery Jansen initially encounters her lover in a local diner. But her tentative overtures – a look, a blush – are dismissed and Flannery retreats, humiliated. Future chance meetings on campus discourage Flannery even more, for Anne Arden is sophisticated and poised; in Flannery’s eyes almost impossibly beautiful. Until she realizes that Anne feels the same way about her.

‘Like Turgenev or Katherine Mansfield, Sylvia Brownrigg understands that the inexperienced lover is a detective who doesn’t know which clues matter . . . mesmerising’ Helen Dunmore, The Times

‘Exuberant and wistful’ Times Literary Supplement

‘A candid, fresh and vivid novel’ Sunday Telegraph

If you like this book support the author by buying it.

You can find my entire collection here: http://kickasstorrents.ee/user/perellopis/uploads/


Sample

PROLOGUE

What would happen if I wrote some pages for you? Each day a page, to show you that I am finding a story, the story of how we might have been together, once. Of how we could be.

We will never be together. Sweetheart. I am too brittle, hidden, and snappish, and you are too married. You are altogether too married. For those of us who’ve never known the state it sails past us like a cruise ship, lamps all on and parties raging, as the water gently or rockily allows you to sweep across it. We wave from our smug or perhaps lonely shores, waiting till the sea-scattered brightness has withdrawn its silvery music, and we’re left alone in the dark, on dry land, to carry on with our unfettered midnight explorations.

He’s a lovely man, your Jasper, not that I know him. I know of his qualities by how he illuminates you—you can see the light of him all through your body and most particularly your face as you tell tales of your joint adventures: clifftops and forest walks and long, cool, medieval alleys. Forget-me-not seas and the heart-pure beaches beside them, along which you can both sun-stretch silently or speak. Galleries and night strolls, concerts and banquets. Language and travel, and the many ways those twain shall meet. So alive are these narratives on your wantable mouth and in your essential eyes that I can watch them, movies in my quiet head to play when I’m at home, stirring in my empty rooms, waiting for my own ship to come in.

It will come. They’ll find room for me somewhere. Someone will cough up an extra berth on some deck or another, or there will be a lucky last-minute cancellation. Who knows, maybe I’ll even be given a seat at the captain’s table to mingle with all the uniformed fellows and their glorifying wives. No—not the captain’s table for me, probably. Probably something more like Table Thirteen, with the insurance agents and medical eccentrics, where I can be fêted as a storyteller—Really! But how wonderful! Tell us, what kinds of stories?—and be allowed to sip my sparkling water without causing too much trouble. I’ll sit at my table onboard and silently toast you, across the oceans, where you’ll be sparkling at yours.

In the meantime, I have treats in store for you. A perfect, pitch-purple aubergine; caramelized fennel; potatoes roasted in rosemary, for remembrance. Coriandered orzo tossed with chicken and okra. Kiwis and tangerines. Cake moist with all the ginger and butter one girl can politely afford, to create something fragrantly spiced and suggestive, a taste to remind you of a late glass of wine and mood-loosened limbs: that question in the eyes, or the stray touch of one’s hand on another one’s forearm. The never-kissed kiss. The imagination ignited.

Enough. Enough. The taste treats are real, or will be. Now, here are your pages.

PART ONE

The leaves were confettied brightly over the sidewalk as if a parade had just passed, and Flannery did not think she had ever in her life seen such colors. They would get deeper and more heartfelt, she knew, with warm oranges and pomegranate reds, and she could hardly wait for the experience. Like every other sensation, that sight was still before her. But already they were goldenrod and butternut on the ground, and up in the trees (she looked skyward) infinite greens, all the apple and lime and melon flesh she could imagine. They were so beautiful she wanted to eat them or breathe them, take them inside her, make them part of herself. At the very least, she wanted to not ever forget them. She told her memory to hold on to them; there might come a time later when she would need their solace.

She came from a place where autumn meant oncoming dampness and fog, the new drawl of the school year: a plain, dull gravity of shoulders and hope. Nothing like this fierceness of light and the brisk bite of cold on the cheek, which seemed playful, a love nip, rather than a somber slap of warning that winter might come. She was not yet wary of the winters here, having not moved through one. She knew this approaching splendor meant death and decay, the boding of ice-prisoned branches and slippery black streets, but could not make herself feel the grief in it. All this vividness she could read only as exhilaration. Not melancholy.

Flannery abandoned herself to movie clichés of the East she’d learned as a girl in the West. She kicked her tennis-shoed feet through the leaves. She buried her hands in the pockets of her coat, which had a serious weight she was not used to. She knew that this lift of fall glory, which brought her to a shocking peak of happiness—from where, suddenly, she had a complete panoramic view; could see the shape of her future, the blank scope of her forthcoming cities and days—she knew that she would never again reach such a height of pure, sensual pleasure. Never again in her life.

She was seventeen. She had no idea about anything, really. And she was about to meet someone—literally, around the next corner.

*******

Around the corner was a diner. Diner: even the words were new here, as if she were in another country, which every single minute she felt herself to be. She had grown up with coffee shops, not diners. She had eaten not grinders but subs. She’d never considered, not for a moment, the idea of a jelly omelette.

This diner was called the Yankee Doodle, a cheerful name that belied the cramped gloom of the place. The Yankee Doodle had jelly omelettes on the menu, and Flannery was feeling bold as she sat down. Sure, she could have a toasted bran, corn, or blueberry muffin—it hardly mattered which, they were essentially the same, and she could in anticipation taste the crisp buttered edge of each neat disk—but with the gold splendor still in her spirit from the leaves, she said to the prune-faced waitress who waited, wiry with impatience and sarcastic with accent,

“A jelly omelette, please. And a glass of orange juice.” The waitress nodded, scribbled on her pad, and retreated behind the narrow Formica counter, along which a few jacketed shapes huddled over hot drinks and doughnuts, or hash browns mixed with ketchup-bloodied eggs. To a stooped, white-shirted man whose balding head was all but lost to steam clouds of grease, the waitress instructed with unneeded volume,

“Jelly omelette!”

The phrase, ridiculous when spoken, especially so loudly in the bored voice of the waitress, had a single advantage. It caught the attention of a figure sitting at a table in a near corner, from whom Flannery might otherwise have hidden as she sank back into her familiar state of wrong-footed self-consciousness.

Dressed in black, drinking coffee, smoking a cigarette. Absorbed in a book—until, that is, “Jelly omelette!” broke the concentration. In one of those gifted premonitions, Flannery noticed the reader an instant before “Jelly omelette!” was barked, so that she was directly facing the elegant autumn-shaded head and already wondering keenly what the book might be.

The green eyes looked up in an irritated humor, to see who could possibly be the author of such an order.

Flannery saw the reader’s eyes, her cat green eyes, and stopped breathing. Never in her life—not at least since the leaves—had she seen such a heartbreaking color.

Within that person, a new and altogether unsuspected happiness waited.

*******

To that green glitter of mockery—Flannery’s breakfast request was, from an adult, hardly credible—the hungry girl replied with a smile of embarrassment, an apologetic shrug of the shoulders. I can’t help it, Flannery tried to suggest. I don’t know what I’m doing. There was no smile in return. The reader’s glance-flicker was so brief that Flannery’s shoulders were still winced up in their shrug when those eyes turned back to their pages and the serious lips took a deep drag from a cigarette.

Oh. God. Those lips. It was the cigarette that made Flannery notice them, now that the reader’s eyes were turned down toward her book. Flannery had nothing to do but watch that mouth smoking, and though she couldn’t have said why it was so beautiful or described the thrill of its shape—she was too young to have anything like a vocabulary for such things—she could not stop herself from watching it, shaded a darkish persimmon that left its trace on the cigarette. But the ash was low, Flannery saw, and soon the fine, purposeful fingers were stubbing it out. Flannery looked away quickly, panicked, frightened of further emerald mockery if she was caught staring so unashamedly.

The waitress brought her her orange juice, and Flannery took a great swallow as if it were a shot of vodka. It was fakely sweet and an unlikely color, more like a billboard or paint shade than any real fruit. Its strange flavor made her mouth pucker, and she was relieved that the waitress was soon back with a different taste to replace it: a lightly browned yellow omelette, thrown gracelessly onto a thick white oval plate.

Flannery stared down at it a moment. What had she asked for? What was a jelly omelette, actually? With the side of her fork she tentatively cut into it, a clean slice off the edge. Out of the cut leaked a thick translucent purple, as if she’d hit some alien vein. The purple was, she realized, none other than grape jelly. The purple and yellow textures avoided each other uneasily on the plate. They were not meant for each other: being together did not suit them. Flannery put down her fork and sipped her juice, for courage.

Something made her risk a look at the reader, and she was sure that she saw a telltale dip of the head, as if the woman had just been watching her. Emboldened by the idea, Flannery kept her gaze on the now nonsmoking figure, who took a sip of black coffee. And another. She turned the page. She pursed her lips. (Those lips!) She brushed a lick of deep reddish brown hair behind a delicate ear. She sipped her coffee. Her eyes moved to the next page. Flannery abandoned her omelette and watched the woman drink her coffee. Still, she wanted to know: What was the book?

It worked. The reader’s concentration wavered, and finally she looked up, one of her eyebrows raised, an ironic expression.

“Don’t like your breakfast?” she asked in a sly voice, so that the waitress could hear. Flannery didn’t want to come right out and admit it, so she shrugged again, mutely. Idiotically. “You seem,” the reader went on, reaching for another cigarette, “to like the look of my coffee, from the way you’re staring. Perhaps you should order a cup for yourself, if that’s what you want.”

That did it. Flannery flushed from the chest up, a full hot plum of humiliation. She looked away, asked for the check, paid it, and fled the Yankee Doodle. Without looking back. Without waiting for her change.

On the street again, her heart was noisy in her ears, from her fast walk and her embarrassment. Not so noisy, though, that it outbeat the internal words of her silent reply.

It wasn’t that she wanted the coffee, no. That wasn’t it. Rather, she wanted to be the coffee: she envied the dark drink its chance to taste those lips.

*******

She never should have come here. She did not belong. If Flannery belonged anywhere—which her uneasy skin and awkward, long-legged gait made her doubt—it could not possibly be on these busy old university grounds, in a year that had seasons, alongside such sour-souled people. They were all planning to laugh at her, clearly, every single day, until she finally gave in and went back to the land of computers and eucalyptus, where everyone wanted you—sincerely—to have a nice day.

“Hey Flannery!” called a thin-coated ally from across the traffic-blurred street. Another westerner, whom Flannery had met on the first day. They lived on the same floor and shared a crowded bathroom. She was called Cheryl, which made Flannery uneasy, but then with a name like Flannery you could not afford to be choosy. “Are you going to that Intro to Criticism class? It starts in ten minutes.”

“Another new one? Isn’t it a bit late by now?” She already felt she’d been here half a lifetime; it had been two weeks.

“Yeah, but the professor’s just gotten back. From Paris. Bradley. He’s supposed to be great.”

There had been so many beginnings, it seemed—when would they end? Still: Criticism. It could be what she needed. A weapon. Fight them at their own game. Learn the language of prunes.

“Sure.” She fell in step with her half-friend. “Do you think I have time to grab a muffin from the dining hall on the way over?” Her stomach yawned hungrily.

Cheryl checked her watch. “If we hurry,” she said. “But didn’t I just see you walk out of the Doodle?”

“Of the what? Oh yeah, but—”

“Better watch it,” Cheryl teased. “It’s early days to be putting on the freshman fifteen, already.”

The sunny girl playfully reached out to pat Flannery’s stomach. It took all the taut self-restraint Flannery had not to slap her.

*******

The first of any class seemed to be a scuffle of papers and faces, a busy fantasy of the great heft of new knowledge that might soon be gained. Flannery had already signed up for a weighty range of subjects: Intro to Art History; Intro to Revolution: France, Russia, China; Intro to World Fiction; Intro to Animal Behavior. Flannery wondered how she would find time for all these introductions.

Perhaps the blazered, grizzled figure at the sloped bottom of the high-windowed room, who leaned what seemed tipsily into the wooden podium, was indeed great. Flannery could certainly not tell from his introduction to this Introduction. He intoned a litany of words that she did not know but could identify as different weeks on the dense syllabus; he fluently pronounced European names whose printed equivalents she could just pick out on the list of required reading. After he had finished his bewildering garble on the material they might all one day be masters of, he mentioned that there were sections to sign up for—supplementary classes run by graduate students who did the grading, explained Cheryl in a cough-drop whisper, as if Flannery didn’t already know it. Sections were taught by Bob or Anne, figures who sat in the classroom’s front row, backs to the students, raising their weary graduate arms for identification. How to choose between Monday Bob or Tuesday Anne? Like so many of her decisions, Flannery made this one blindly. She chose Anne. Tuesday Anne.

“Goody, I’ll pick her, too, then,” said Cheryl, holding Flannery’s arm.

Flannery held her breath. Intro to Criticism. Here we go. ‘Goody,’ she practiced quietly, in the privacy of her own thoughts, is not something that we, as college students, any longer say. It makes you sound like a fifth-grader.

Maybe she could get the hang of living here, after all. Would the crafting of such retorts be covered in this basic introductory course?

*******

Days she staggered; but nights she swam free, through the cool waters of her imagination. Her body was relieved in the dark of