Erdmut Wizisla - Walter Benjamin and Bertolt Brecht. The Story of a Friendship [2009][A]

Book Description
Erdmut Wizisla’s groundbreaking work explores for the first time the important friendship between Walter Benjamin, the acclaimed critic and literary theorist, and Bertolt Brecht, one of the twentieth century’s most influential theater artists and poets, during the crucial interwar years in Berlin.
From the first meeting between Benjamin and Brecht to their experiences in exile, the events in this friendship are illuminated by personal correspondence, journal entries, and notes—including previously unpublished materials—from the friends’ electric discussions of shared projects. In addition to exploring correspondence between the two, Wizisla presents documents by colleagues who shaped and shaded their relationship, including Margarete Steffin, Theodor Adorno, and Hannah Arendt.
Wizisla shows us the fascinating ideological exchanges between Benjamin and Brecht, including the first account of Berlin Marxist journal planned for 1931. The Minutes of its meetings record the involvement of Benjamin and Brecht, and offer a window onto the discussions on literature and politics that took place under the increasing threat of the German left’s political defeat. Wizisla’s examination of the friendship between Benjamin and Brecht, two artists at the height of their creative powers during a time of great political crisis, throws light on nearly two decades of European intellectual life.

Reviews
"Scrupulous, scholarly, and written with loving commitment."—Momme Brodersen, author of Walter Benjamin, A Biography

"What emerges from this rich selection of materials is not merely a fuller picture of these towering figures but also of the working life of intellectual production, deliberation, and publication on the part of a vibrant scene of letters, culture, and activism under threat of imminent dissolution."--Henry Sussman, Yale University

"With great archival expertise, Wizisla captures the spontaneity, energy, and excitement of Benjamin's and Brecht's thinking in process; their efforts to arrive at an aesthetic that expresses Communist practice; and their struggle to come to terms with Soviet reality under Stalin."--Gitta Honegger, Arizona State University

About the Author
Erdmut Wizisla is the director of the Bertolt Brecht Archive in Berlin, which houses some 200,000 of Brecht’s manuscripts and his personal library.