Complicated Women (2003)

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Complicated Women (2003) (Size: 406.59 MB)
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Description

Complicated Women (2003)



http://www.imdb.com/title/tt0365076/
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Directed by

Hugh Munro Neely



Writing credits

Andie Hicks writer (as Andi Hicks)

Hugh Munro Neely writer





Cast

Jane Fonda ... Herself - Narrator (voice)

Frances Dee ... Herself

Kitty Carlisle ... Herself (interviewee) (as Kitty Carlisle Hart)

Molly Haskell ... Herself (interviewee)

Mick LaSalle ... Himself (interviewee)

Mae Madison ... Herself (interviewee)

Karen Morley ... Herself (interviewee)

Mark Vieira ... Himself (interviewee)

Bo Derek ... Herself

Virginia Madsen ... Herself

Theresa Russell ... Herself

Tallulah Bankhead ... Herself (archive footage) (uncredited)

Joan Blondell ... Herself (archive footage) (uncredited)

Joseph Breen ... Himself (archive footage) (uncredited)

James Cagney ... Himself (archive footage) (uncredited)

Ruth Chatterton ... Herself (archive footage) (uncredited)

Claudette Colbert ... Herself (archive footage) (uncredited)

Ricardo Cortez ... Himself (archive footage) (uncredited)

Joan Crawford ... Herself (archive footage) (uncredited)

Bette Davis ... Herself (archive footage) (uncredited)

Dolores del Rio ... Herself (archive footage) (uncredited)

Marlene Dietrich ... Herself (archive footage) (uncredited)

Kay Francis ... Herself (archive footage) (uncredited)

Clark Gable ... Himself (archive footage) (uncredited)

Greta Garbo ... Herself (archive footage) (uncredited)

John Gilbert ... Himself (archive footage) (uncredited)

Jean Harlow ... Herself (archive footage) (uncredited)

Will H. Hays ... Himself (archive footage) (uncredited)

Katharine Hepburn ... Herself (archive footage) (uncredited)

Miriam Hopkins ... Herself (archive footage) (uncredited)

Leslie Howard ... Himself (archive footage) (uncredited)

Myrna Loy ... Herself (archive footage) (uncredited)

Fredric March ... Himself (archive footage) (uncredited)

Robert Montgomery ... Himself (archive footage) (uncredited)

Chester Morris ... Himself (archive footage) (uncredited)

Maureen O'Sullivan ... Herself (archive footage) (uncredited)

Gene Raymond ... Himself (archive footage) (uncredited)

Ginger Rogers ... Herself (archive footage) (uncredited)

Norma Shearer ... Herself (archive footage) (uncredited)

Barbara Stanwyck ... Herself (archive footage) (uncredited)

Irving Thalberg ... Himself (archive footage) (uncredited)

Johnny Weissmuller ... Himself (archive footage) (uncredited)

Mae West ... Herself (archive footage) (uncredited)

Loretta Young ... Herself (archive footage) (uncredited)



Produced by

Elaina Archer .... co-producer (as Elaina B. Archer)

Tom Brown .... executive producer: Turner Classic Movies

Catheryn Clarke .... associate producer

John J. Flynn .... producer (as John Flynn)

Andie Hicks .... producer (as Andi Hicks)

Mick LaSalle .... associate producer

Keith Lawrence .... producer

Diane MacIntyre .... associate producer

Hugh Munro Neely .... producer

Melissa Roller .... supervising producer: Turner Classic Movies



Original Music by

Nigel Holton



Cinematography by

Harry Dawson (director of photography)



Film Editing by

Andie Hicks (as Andi Hicks)

Hugh Munro Neely



Casting by

Scot Boland

Victoria Burrows

Darcy Hettrich



Makeup Department

Andie Hicks .... makeup artist (as Andi Hicks)

Michael Spezzano .... makeup artist: Theresa Russell, Virginia Madsen, Bo Derek



Production Management

John Luker .... production manager (as John C. Luker)



Sound Department

John Luker .... sound (as John C. Luker II)

Daniel Schaefer .... voiceover recordist



Visual Effects by

Cory Fischer .... photo shop and after effects

Andie Hicks .... Photoshop and After Effects (as Andi Hicks)

Michael 'Spike' Lewis .... photo shop and after effects

John Luker .... Photoshop and After Effects supervisor (as John C. Luker II)



Camera and Electrical Department

Philip Dixson .... grip: New York City

Dana Kilgore .... gaffer

Yada Levine .... camera equipment

Anthony G. Nakonechnyj .... gaffer (as Tony Nako)

Jay Smith .... gaffer: New York City

Ken Wheeland .... best boy

Terry Wimmer .... gaffer



Other crew

Catheryn Clarke .... production assistant

Catheryn Clarke .... transcriptor

Bo Derek .... additional consultant

John J. Flynn .... researcher

Shea Flynn .... production assistant

Amy Glover .... researcher

Mick LaSalle .... consultant

Keith Lawrence .... travel coordinator

Michael 'Spike' Lewis .... production assistant

Michael 'Spike' Lewis .... researcher

Fabian Lopez .... production assistant

Fabian Lopez .... researcher

Virginia Madsen .... additional consultant

Leslie Miller .... stage manager: New York City

Terence Moriarty .... production assistant

Terence Moriarty .... researcher

Joseph M. Newman .... additional consultant

Shirley Newman .... travel coordinator

Marvin Paige .... interview consultant

Allen Quintos .... production coordinator (as Allan Quinton)

Theresa Russell .... additional consultant

Vincent Sherman .... additional consultant

Joo Young Song .... production assistant

Joo Young Song .... researcher

John Springer .... additional consultant

Thomas Tóth .... additional consultant

Mark Vieira .... photo supplier

Mark Vieira .... researcher

Marc Wanamaker .... researcher (as Mark Wanamaker)

Ruth Warrick .... additional consultant

Michael Yakaitis .... researcher (as Michael Peter Yakaitis)

Joseph M. Yranski .... photo supplier

Joseph M. Yranski .... researcher (as Joe Yranski)

Beth Zimmerman .... production coordinator: Turner Classic Movies



Thanks

Cari Beauchamp .... deep and sincere appreciation

Greg Bennett .... deep and sincere appreciation

Steve Bennett .... deep and sincere appreciation

Robert S. Birchard .... deep and sincere appreciation (as Bob Birchard)

Dan Birnie .... deep and sincere appreciation

Robert Board .... deep and sincere appreciation (as Bob Board)

Alan Boyd .... deep and sincere appreciation

Kevin Brownlow .... deep and sincere appreciation

Rusty Casselton .... deep and sincere appreciation

Robert Cushman .... deep and sincere appreciation

John Philip Dayton .... deep and sincere appreciation (as John Dayton)

Dennis Doros .... deep and sincere appreciation

Marlene Eastman .... deep and sincere appreciation

Amy Freed .... deep and sincere appreciation

Leatrice Joy Gilbert .... deep and sincere appreciation (as Leatrice Joy Gilbert Fountain)

Amy Glover .... deep and sincere appreciation

Gerald Hatfield .... deep and sincere appreciation

Amy Heller .... deep and sincere appreciation

Neill D. Hicks .... deep and sincere appreciation

Heather Holmes .... deep and sincere appreciation

Paul Hornby .... deep and sincere appreciation

Deborah Hwang-Marriott .... deep and sincere appreciation (as Deborah Marriott)

Cindy Imlay .... deep and sincere appreciation

Tom Karsch .... deep and sincere appreciation

Samira Kayall .... deep and sincere appreciation

Abigail Kende .... deep and sincere appreciation

Emilie Kennedy .... deep and sincere appreciation

Carol Landon .... deep and sincere appreciation

Jeremy Laws .... deep and sincere appreciation

James Metropole .... deep and sincere appreciation

Karen Morley .... in memory of

Frances Neely .... deep and sincere appreciation

Greta Neely .... deep and sincere appreciation

Olivia Neely .... deep and sincere appreciation

Norm Palley .... deep and sincere appreciation

Justin Pettigrew .... deep and sincere appreciation

Anastasia Popovskaia .... deep and sincere appreciation

Cecilia DeMille Presley .... deep and sincere appreciation

Yvette Prindle .... deep and sincere appreciation

Kristen Ramsey-Clyde .... deep and sincere appreciation (as Kristen Ramsey Clyde)

Michael Schlesinger .... deep and sincere appreciation

Susan Shearer .... deep and sincere appreciation

Randy Skretvedt .... deep and sincere appreciation

Patrick Stanbury .... deep and sincere appreciation

David Stenn .... deep and sincere appreciation

Charles Tabesh .... deep and sincere appreciation

Michael Yakaitis .... deep and sincere appreciation (as Michael P. Yakaitis)

Brian Young .... deep and sincere appreciation

Joseph M. Yranski .... deep and sincere appreciation

Scott Zimmerman .... deep and sincere appreciation



User Comments (Comment on this title)

2 out of 3 people found the following comment useful.

Exceptionally interesting and a good introduction to those not acquainted with the "Pre-Code" era, 5 December 2006



Author: p from Bradenton, Florida



This film is a wonderful introduction to the women of the so-called "Pre-Code" movies--movies that were made through about the middle of 1935. They were called "Pre-Code" in that they were made before the rigid Production Code was enforced and the films abounded with sexuality, violence and topics of questionable taste for the time. This documentary focuses not on this overall topic, but specifically on women of the films and their smoldering sexuality. Because of this it is NOT indicative of the general topic of Pre-Code films but on a narrow aspect of the movies.



The documentary is great because I was shocked how well-preserved some of these old leading ladies were and listening to their stories about the era was extremely fascinating. I also liked all the old clips, though I felt that many times important films were omitted from discussion or clips. For example, while the very tawdry nude swimming scene from TARZAN AND HIS MATE was mentioned and shown several times (a very spicy scene even by today's standards), very little mention was made of equally famous films with similar content, such as THE BARBARIAN and THE SIGN OF THE CROSS--the two bathing scenes in these films are amazing for the early 1930s. Also, the film seemed to indicate that the Pre-Code era was from the beginning of talkies until 1934, whereas there were MANY films in the silent era that featured copious amounts of nudity or sexually liberated females. Both these quibbles, though, are very minor, as only to film nuts like me will even notice or care!



10 out of 12 people found the following comment useful :-

The more things change..., 19 June 2005



Author: b from United States



This is an excellent look at women in the pre-Code films. Narrated by Jane Fonda, it is extremely thought-provoking in this age of wardrobe malfunctions, hue and cry over a sexy Paris Hilton commercial, and Nicole Sheridan dropping a towel during a an ad on Super Bowl Sunday.



I found this documentary comforting in a way - 70+ years later, we're still going through all the same stuff we did back then. The way things are going, we'll be back in 1933 before you know it.



Fonda narrates with a lot of expression as she takes the viewer through pre-code movies showing prostitutes, women sleeping their way to the top, menage at trois, bisexuality, abortion, and unfaithful wives. If you're not familiar with movies done before Breen and Hays, this will be a revelation.



10 out of 13 people found the following comment useful :-

EXCELLENT AND ACCURATE, 2 March 2004



Author: Ffrom Newark



The people who are saying that this documentary was in any way exaggerated or inaccurate are themselves inaccurate. This film is historically documented and completely true to the spirit of the pre-Code era. And lest anyone think the film pandered to a modern sensibility, keep in mind: It had three ninety year old ladies in it, and was narrated by 66-year-old JANE FONDA, not Courtney Love. The fact is, the pre-Code was an extraordinary period for women's films -- something that becomes more not less evident after one has seen two hundred or three hundred pictures from this period. And it was not extraordinary only for what it showed or dared but for the points the films made -- for those points that were intrinsic to the MESSAGES of the films -- which go way beyond a flimsy gown or anything that could be edited into tameness. If anything this documentary needed more time -- three or four hours -- to do justice to the range of pre-Code women's films. Still working within the constraints, this was a splendid achievement and yet another laurel for Turner Classic Movies.



5 out of 7 people found the following comment useful :-

Good Clips, 21 May 2003



Author: b from New York City



Actually, very good clips, and the narrative makes a very good claim to proving its thesis: that the sexy Pre-Code dramas and comedies actually represented a realistic depiction of the 20th century morality until Joseph Breen clamped down, making the Production Code not just voluntary, but mandatory.



There is a good claim in that, but it makes its point by looking at the best of the Pre-Code works and the worst of the movies made under the Code. Nor does it go into the reason that Hollywood made those sexy movies in the first place, and stopped making them later: to sell tickets at the box office. Truth has never been the primary concern of the movie industry; and while these clips demonstrate that Hollywood was interested in selling tickets to men who wanted to look at naked women... well, the underwater swimming sequence from TARZAN AND HIS MATE shows Maureen O'Sullivan's stand-in swimming around in the nude, but Weismuller is wearing a loincloth.



2 out of 3 people found the following comment useful :-

Mick LaSalle is great, 27 July 2009



Author: M from United States



I thought the Mick LaSalle character was great, he really brought out the Italian American in him.



The thing that's good about this documentary is it really brings out that the current puritanism in America is a modern phenomenon. Pre-code, nudity was OK and there weren't any self-appointed moral watch dogs complaining about the contents. If you didn't want to watch something spicy, you didn't go see that movie.



Mick LaSalle is an excellent film reviewer who really knows his stuff (is that enough suck up?).



Cheers, Neil.



2 out of 3 people found the following comment useful :-

Good Doc, 11 March 2008

Author: MEfrom Louisville, KY



Complicated Women (2003)



*** 1/2 (out of 4)



Wonderful look at the women who made Pre-Code films from 1929-34. The film shows clips from the most popular films of the era and shines a spotlight on the women who brought the sexiness to these f

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