Claudio Abbado - Mozart - Don Giovanni, K. 527 [V2] Deutsche Gra

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Claudio Abbado - Mozart - Don Giovanni, K. 527 [V2] Deutsche Gra (Size: 223.28 MB)
 33 - Scena XX 'Riposate, Vezzose Ragazze!'.mp311.82 MB
 44 - Scena VII - VIII No. 19 Sestetto 'Sola, Sola, In Buio Loco'.mp310 MB
 59 - Scena XV 'Don Giovanni, A Cenar Teco' (Il Commendatore, Don Giovanni, Leporello,...9.21 MB
 60 - Scena ultima 'Ah! Dove E Il Perfido'.mp38.75 MB
 01 - Ouvertura.mp38.13 MB
 09 - Scena V No. 4 Aria 'Madamina, Il Catalogo E Questo'.mp37.56 MB
 02 - Scena I No. 1 Introduzione 'Notte E Giorno Faticar'.mp37.31 MB
 55 - Scena XII Ronda 'Non Mi Dir, Bell'Idol Mio'.mp36.62 MB
 36 - Scena II No 15 Terzetto 'Ah! Taci, Ingiusto Core'.mp36 MB
 57 - Scena XIII No. 24 Finale Ii - 'Gia La Mensa E Preparata'.mp35.92 MB
 51 - Scena XI Recitativo 'Ah, Ah, Ah, Questa E Buono'.mp35.8 MB
 24 - Scena XIV No 10a Aria 'Dalla Sua Pace' Kv 540a.mp35.37 MB
 19 - Scena XII No. 9 Quartetto 'Non Ti Fidar, O Misera'.mp35.29 MB
 48 - Scena X No. 21 Aria 'Il Mio Tesoro Intanto'.mp35.29 MB
 05 - Scena III Duetto 'Fuggi, Crudele, Fuggi!'.mp35.25 MB
 50 - Scena X Aria 'Mi Tradi Quell'Alma Ingrata'.mp35.25 MB
 32 - Scena XIX 'Bisogna Aver Coraggio'.mp35.11 MB
 07 - Scena V No. 3 Aria 'Ah! Chi Mi Dice Mai'.mp34.91 MB
 52 - Scena XI No. 22 Duetto 'O Statua Gentilissima'.mp34.74 MB
 28 - Scena XVI No. 12 Aria 'Batti, Batti, O Bel Masetto'.mp34.71 MB
 58 - Scena XIV Recitativo 'L'Ultima Prova Dell'Amor Mio'.mp34.68 MB
 42 - Scena VI No. 18 Aria 'Vedrai, Carino'.mp34.55 MB
 21 - Scena XIII No. 10 Recitativo Accompagnato 'Don Ottavio, Son Morta!'.mp34.07 MB
 08 - Scena V Recitativo 'Chi E La' - 'Stelle! Che Vedo!'.mp33.96 MB
 15 - Scena IX No. 7 Duettino 'La Ci Darem La Mano'.mp33.92 MB
 40 - Scena IV No. 17 Aria 'Meta Di Voi Qua Vadano'.mp33.85 MB
 04 - Scena III Recitativo 'Ah! Del Padre In Periglio'.mp33.6 MB
 22 - Scena XIII Aria 'Or Sai Chi L'Onore'.mp33.5 MB
 31 - Scena XVIII 'Tra Quest' Arbori Celata'.mp33.15 MB
 12 - Scena VIII Recitativo 'Manco Male E Partita'.mp33.14 MB

Description

Don Giovanni, opera, K. 527
Composed by Wolfgang Amadeus Mozart
with Matti Salminen, Bryn Terfel, Simon Keenlyside, Uwe Heilmann, Patrizia Pace, Ildebrando D'Arcangelo, Soile Isokoski, Carmela Remigio
Conducted by Claudio Abbado

Don Giovanni - Simon Keenlyside
Donna Anna - Carmela Remigio
Don Ottavio - Uwe Heilmann
Il Commendatore - Matti Salminen
Donna Elvira - Soile Isokoski
Leporello - Bryn Terfel
Masetto - Ildebrando D'Arcangelo
Zerlina - Patricia Pace

Chamber Orchestra of Europe
Coro di Ferrara Musica
Claudio Abbado, 1997


Main performer: Claudio Abbado
Booklet languages: English, German, French
Libretto languages: English, Italian
Time: 165:13
Release Date: 1998



http://www.deutschegrammophon.com/us/cat/single?sort=newest_rec&PRODUCT_NR=4576012&SearchString=4576012&UNBUYABLE=1&per_page=50&flow_per_page=50&presentation=flow


http://www.allmusic.com/album/mozart-don-giovanni-mw0001377287

Although it has many great moments, this Don Giovanni, pieced together from a run of live performances in January and February 1997, struggles to find its stride. Abbado brings out orchestral textures and colors that other conductors often overlook, but his tempo choices frequently feel slow, sapping important moments of their energy. The opening scene, Donna Anna's arias, and the all-important second act finale all drag like a ball and chain. The result is a recording that has many drawbacks of a live recording -- the more distant focus and occasional sloppiness -- but rarely the energy or cohesion.

Simon Keenlyside is an excellent Giovanni; he has the ideal blend of vocal qualities for the job, and finds the sneer behind the lothario's winning smile. Bryn Terfel was born to play Leporello, singing the part with a gruff abandon and charm that few have ever matched; he goes over the top sometimes, but you'll forgive him for it. Of the rest of the cast, only Soile Isokoski and Ildebrando D'arcangelo make strong impressions. But D'arcangelo is largely wasted on the small role of Masetto (his Leporello for John Eliot Gardiner is fantastic), and Isokoski, although a stunning singer, never quite lets Donna Elvira catch fire in the way she often can. As Donna Anna, Carmela Remigio struggles with Abbado's slow tempos in her two arias, and occasionally sounds strident on top. Uwe Heilmann's vocally tentative Ottavio doesn't add much to the production. And Patrizia Pace's Zerlina, while pretty, lacks character. In the end, the reasons to recommend this recording are Keenlyside's Giovanni, Terfel's Leporello, and the playing of the Chamber Orchestra of Europe under Abbado. But if you're looking for a great recording of the opera, there are better rounded and more exciting choices to consider first.

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Claudio Abbado - Mozart - Don Giovanni, K. 527 [V2] Deutsche Gra