Chic feat- Nile Rodgers - Glastonbury 2013 M4Aseeders: 5
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Chic feat- Nile Rodgers - Glastonbury 2013 M4A (Size: 68.59 MB)
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This audio was losslessly ripped from the video streaming of Chic & Nile Rodgers Glastonbury performance. It has been losslessy split into individual tracks, labelled & tagged. The original had a fairly low bit rate of vbr 98kbs in AAC, but sound quality is remarkably good. No editing, recompression has been done to exactly preserve the fidelity. This means the sampling rate remains at 48khz, and volume well below current loudness war CD releases- but it is media player & ipod friendly- so turn it up and get on down!
____________________________________________ A highlight of Glastonbury 2013, Chic & Nile Rodgers turned the West Holts Stage into a massive outdoor disco funk party for the shimmying, jiving crowd of 25,000 people. from the Guardian: Dress code Matching white suits and dresses for The Chic Organisation What happened "I'm just trying to get through as many songs as possible," explained Nile Rodgers. The audience could perhaps have worked this out without his help: there's something joyfully relentless about the the latter-day Chic Organisation's approach to live performance. Everybody Dance, Dance Dance Dance, I'm Coming Out, Upside Down, He's The Greatest Dancer and We Are Family: that's not the edited highlights, that's the opening salvo of songs. If the aim is to make you boggle at the sheer quantity of massive hits Rodgers has authored, it works. Even when he pulls out a relatively unknown number - Soup For One, from a 1982 film soundtrack – it turns into a cover of a hit that sampled it, Lady by Modjo. Perhaps understandably, an atmosphere of mild delirium seems to settle on the audience, many of whom seem extremely well-refreshed indeed: when Chic perform Let's Dance, which Rodgers co-wrote with David Bowie, their singing momentarily threatens to drown out the band entirely. It was some of the greatest pop music ever made, expertly played by a ferociously well-drilled band. It was fantastic! After the set's close – a mammoth version of Good Times interpolated with sections of The Sugarhill Gang's Rapper's Delight, with dozens of audience members dancing onstage – the band leave. Rodgers remains, while the PA blares out Daft Punk's Get Lucky. The crowd stay too, bellowing the song back at him. He looks genuinely moved. Sharing Widget |