Broken Bells - After the Disco (2014) [FLAC]

Broken Bells - After the Disco (2014) [FLAC]

Genre: Pop/Rock
Styles: Indie, Alternative, Experimental
Source: Scene CD (outerspace)
Codec: FLAC
Bitrate: ~ 1,000 kbps
Bit Depth: 16
Sampling Rate: 44,100 Hz

01 Perfect World
02 After The Disco
03 Holding On For Life
04 Leave It Alone
05 The Changing Lights
06 Control
07 Lazy Wonderland
08 Medicine
09 No Matter What You're Told
10 The Angel And The Fool
11 The Remains Of Rock & Roll

Though Broken Bells featured two of the bigger names in indie and alternative music -- the Shins' singer/guitarist James Mercer and producer/multi-instrumentalist Brian Burton, aka Danger Mouse -- the duo managed to keep their project secret for a relatively long time. The pair were inspired to collaborate when they met at 2004's Roskilde music festival in Denmark, where they discovered they were fans of each others' work. However, they didn’t start writing and recording together as a band until March 2008, when Mercer holed up in Burton's home studio in Los Angeles. The duo took a different approach to their work together than they had with their other projects: Burton avoided the sample-heavy style he used on The Grey Album and Beck’s Modern Guilt, and played only live instruments, while Mercer broadened his vocal style to include falsettos and deeper registers. Mercer and Burton announced they were Broken Bells in fall 2009, and late that year they released their debut single, "The High Road." Their self-titled debut album arrived in spring 2010. A year later, the Meyrin Fields EP arrived, featuring previously unreleased tracks as well as the title track, which had been the B-side to the single The Ghost Inside. In late 2013 the duo released a teaser for a forthcoming second album, entitled After the Disco, in the shape of an ultra-groovy, retro-futurist short film starring Anton Yelchin and Kate Mara. The album was preceded by the singles "After the Disco" and "Holding on for Life," which had an amazingly old-school, psychedelic '70s feel, right down to the production, with the latter track sounding uncannily like the Bee Gees.