BoB---leave the straight life behind

it is seeded



The initial line-up was Richard Blackborow (vocals, keyboards, guitar), Simon Armstrong (guitar, vocals). Jem Morris (bass guitar), joined the duo in 1986, and, augmented with a drum machine, they recorded the band's first release, a flexi disc, released in 1986 on their own House Of Teeth label, and containing three short songs: "Prune (Your Tree)", "Groove" and "Brian Wilson's Bed". The band gave a copy to John Peel in a fortuitous encounter in the Rough Trade record shop, and he played it several times. The drum machine was replaced by Gary Connors (drums) in 1987, and this line-up recorded 1987's What a Performance EP and the first of three BOB John Peel sessions. Blackborow stated in 1988 that the band had a diverse set of songs in their repertoire at that stage and that the songs on the EP were selected from "by doing a quick poll of our friends".[1]
Early in 1988, Gary Connors was replaced by former Jamie Wednesday drummer Dean Legget, and the band recorded their second single, the Kirsty EP, a session for BBC Radio One's Simon Mayo, and their second John Peel session. Both singles received heavy play by John Peel.[2] The two singles were compiled together with the earlier flexi disc as Swag Sack, which was their final recording for the Sombrero label. All later releases were on their own House Of Teeth label.
In 1989, the band released the Convenience EP (which reached no.31 in John Peel's Festive Fifty at the end of the year),[3] followed by a limited edition/fan club release containing three songs: "Esmerelda Brooklyn", "I Don't Know" and "Sink". After their third and final John Peel session,[3] Morris was replaced by ex-Caretaker Race bassist Stephen 'Henry' Hersom,[4] and this final line-up recorded the Stride Up EP in 1990, an LP Leave The Straight Life Behind and the Tired EP in 1991, and one last single, the Nothing For Something EP in 1992. BOB became one of the victims of the demise of Rough Trade's distribution arm, which limited sales of the album and forced the band to tour for an extended period to recoup the album's costs. A feeling of disillusionment with the 'business' side of the music caused a drop in morale, and they disbanded early in 1995.