Beta-John_B-BETA019-VINYL-2008-sour

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: : release no ( 9372 ) rating |

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: : artist (John B ) | .---. |

: : title (Mr. Freud / Red Sky ) | 0 | | |

: : record label (Beta (BETA019) ) | 9 | | |

: : genre (Drum & Bass ) | 8 |%%%| |

: : release date (2008/01/29) | 7 |%%%| |

: : street date (2008/01/28) | 6 |%%%| |

: : | 5 |%%%| |

: : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |

: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |

: : | 2 |%%%| |

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: : :.: (02 tracks) (13:36 min) ( 22,0 mb) | `---' |

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nr times track titles

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| A 6:21 John B - Mr. Freud |

| AA 7:15 John B - Red Sky |

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| | Info from beta-store.com: | |

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| | Mr. Freud has already had 160,000 plays on | |

| | John Bs Myspace player, and is John B back at | |

| | his best, fusing hard D&B beats with | |

| | luxurious trancey strings, a heavy | |

| | electrohouse-influencd B-line, and sleazy | |

| | electroclash-style vocals & roboVocoders. | |

| | It's a dirty beast, a stand-out | |

| | electrohouse-meets-D&B anthem, refreshingly | |

| | different and another John B-designed | |

| | genre-busting new direction for D&B. | |

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| | Red Sky brings John back to the epic Trance & | |

| | Bass style he pioneered with hits like Up all | |

| | Night & Electrofreek! but with an updated | |

| | production style for 2008. Shaz Sparks | |

| | beautiful vocals compliment the fluid, | |

| | euphoric trance textures. Grand piano & huge | |

| | anthemic pads that Armin Van Buuren would be | |

| | proud of are contrasted by a monstrous, | |

| | grimey racecar reese bassline and heavy | |

| | neurofunk groove, still smashing it in a | |

| | DJ-friendly Drum&Bass framework. | |

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| |

| This release may contain copyrighted material, however SOUR guarantees |

| that this material was at least available to one person "on the street" |

| and that the possession of this material is in no way privileged. |

| |

| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |

| the internet drum'n'bass public since summer 1999. Originally a small |

| operation, we have now reached levels of international acclaim. |

| |

| SOUR is dedicated to both the availability and promotion of music to the |

| public, and our rips are intended to reflect these ideals. Specifically: |

| |

| . SOUR is dedicated to the promotion of new music that is currently |

| available to buy. If you like something you hear, you are obliged to |

| attempt to purchase an original copy. |

| |

| . SOUR is dedicated to the promotion of old music that may no longer be |

| available to buy. |

| |

| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |

| worldwide! We provide a service where none is available, specifically in |

| many remote countries where traditional distributors can not afford to |

| target. Also, the availability of drum'n'bass in an easily accessible |

| form expands the potential for real world sales to people who may not |

| otherwise have considered buying drum'n'bass. |

| |

| . SOUR is dedicated to the expansion of the online and offline real world |

| scenes. With more listeners enjoying what they hear, clubs and venues can |

| only expect MORE people to attend events; DJ's can only expect MORE |

| people to pay to see THEM. |

| |

| By accident of today's current real world distribution arrangements, many |

| artists will find that SOUR releases IMPROVE their real world sales; |

| especially for items only on vinyl. This is the basis upon which SOUR |

| operates. |

| |

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