Ariana Franklin - Mistress of the Art of Death (#1-4)

Info Hash 64704F9BB801952EB24FE27995D7269F89FA2B96



Mistress of the Art of Death (Mistress of the Art of Death #1)

A chilling, mesmerizing novel that combines the best of modern forensic thrillers with the detail and drama of historical fiction.

In medieval Cambridge, England, four children have been murdered. The crimes are immediately blamed on the town's Jewish community, taken as evidence that Jews sacrifice Christian children in blasphemous ceremonies. To save them from the rioting mob, the king places the Cambridge Jews under his protection and hides them in a castle fortress. King Henry I is no friend of the Jews-or anyone, really-but he is invested in their fate. Without the taxes received from Jewish merchants, his treasuries would go bankrupt. Hoping scientific investigation will exonerate the Jews, Henry calls on his cousin the King of Sicily-whose subjects include the best medical experts in Europe-and asks for his finest "master of the art of death," an early version of the medical examiner. The Italian doctor chosen for the task is a young prodigy from the University of Salerno. But her name is Adelia-the king has been sent a "mistress" of the art of death.

Adelia and her companions-Simon, a Jew, and Mansur, a Moor-travel to England to unravel the mystery of the Cambridge murders, which turn out to be the work of a serial killer, most likely one who has been on Crusade with the king. In a backward and superstitious country like England, Adelia must conceal her true identity as a doctor in order to avoid accusations of witchcraft. Along the way, she is assisted by Sir Rowley Picot, one of the king's tax collectors, a man with a personal stake in the investigation. Rowley may be a needed friend, or the fiend for whom they are searching. As Adelia's investigation takes her into Cambridge's shadowy river paths and behind the closed doors of its churches and nunneries, the hunt intensifies and the killer prepares to strike again.

The Serpent's Tale (Mistress of the Art of Death #2)

Rosamund Clifford, the mistress of King Henry II, has died an agonising death by poison—and the king's estranged queen, Eleanor of Aquitaine, is the prime suspect. Henry suspects that Rosamund's murder is probably the first move in Eleanor's long-simmering plot to overthrow him. If Eleanor is guilty, the result could be civil war. The king must once again summon Adelia Aguilar, mistress of the art of death, to uncover the truth.

Adelia is not happy to be called out of retirement. She has been living contentedly in the countryside, caring for her infant daughter, Allie. But Henry's summons cannot be ignored, and Adelia must again join forces with the king's trusted fixer, Rowley Picot, the Bishop of St. Albans, who is also her baby's father.

Adelia and Rowley travel to the murdered courtesan's home, in a tower within a walled labyrinth—a strange and sinister place from the outside, but far more so on the inside, where a bizarre and gruesome discovery awaits them. But Adelia's investigation is cut short by the appearance of Rosamund's rival: Queen Eleanor. Adelia, Rowley, and the other members of her small party are taken captive by Eleanor's henchmen and held in the nunnery of Godstow, where Eleanor is holed up for the winter with her band of mercenaries, awaiting the right moment to launch their rebellion.

Isolated and trapped inside the nunnery by the snow and cold, Adelia and Rowley watch as dead bodies begin piling up. Adelia knows that there may be more than one killer at work, and she must unveil their true identities before England is once again plunged into civil war.

Grave Goods (Mistress of the Art of Death #3)

England, 1176. Beautiful, tranquil Glastonbury Abbey—one of England's holiest sites, and believed by some to be King Arthur's sacred Isle of Avalon—has been burned almost to the ground. The arsonist remains at large, but the fire has uncovered something even more shocking: two hidden skeletons, a man and a woman. The skeletons' height and age send rumours flying- are the remains those of Arthur and Guinevere?

King Henry II hopes so. Struggling to put down a rebellion in Wales, where the legend of Celtic saviour Arthur is particularly strong, Henry wants definitive proof that the bones are Arthur's. If the rebels are sure that the Once and Future King will not be coming to their aid, Henry can stamp out the insurgence for good. He calls on Adelia Aguilar, Mistress of the Art of Death, to examine the bones.

Henry's summons comes not a moment too soon, for Adelia has worn out her welcome in Cambridge. As word of her healing powers has spread, so have rumours of witchcraft. So Adelia and her household ride to Glastonbury, where the investigation into the abbey fire will be overseen by the Church authorities—in this case, the Bishop of St. Albans, who happens also to be the father of Adelia's daughter.

A Murderous Procession (Mistress of the Art of Death #4)
NB This book was originally titled The Assassin's Prayer

In 1176, King Henry II has ordered his Mistress of the Art of Death - anatomist and doctor Adelia Aguilar - to accompany 10-year-old Princess Joanna on her thousand-mile journey to marry the King of Sicily. They must take with them the legendary sword Excalibur.

And so Adelia sets sail with the golden princess and her lavish procession of nobles, musicians, servants, laundresses, grooms, luggage and treasure. But when members of the procession begin to die and it looks as though Adelia is to blame, there are dangerous accusations of witchcraft.

Meanwhile one traveller, armed with a brilliant disguise and a personal vendetta, has been watching Adelia all too closely. He wants Adelia dead . . . but he wants her to suffer first.