Adobe Premiere Pro CC 2015 v9.2

Adobe Premiere Pro CC lets you edit video faster than ever before. Dozens of brand-new features include a redesigned timeline, improved media management, and streamlined color grading. And it’s just the beginning: You’ll get access to new features the moment they’re released. Your entire creative world, together in one place. Only in Creative Cloud.

Version 9.2.0 (2015.2):
New
New High Quality Playback option has been added to the playback settings. In previous releases, Premiere’s playback settings only gave users fractional resolution choices, and playback was optimized for real time playback performance. At the default settings, frames typically have a slightly softer look during playback vs. pause, even when both are set to full resolution. Toggling on the new High Quality setting can provide a smoother viewing experience, where playback better matches the image quality of frames when paused. High Quality playback may result in dropped frames depending on the media and hardware configuration, and most users will find the default settings are still the best choice for real time playback.

Fixed
Adobe Stock and CC Libraries could not be used by users who connect to the internet using proxy servers.
Premiere Pro could not launch on Windows systems with AMD Phenom 2 processors.
Users of Wacom tablets could experience interface lag.
Multiple fixes with Adobe Stock support.
Dissolves displayed incorrectly on OS X El Capitan when working in CUDA mode.
Crashing issues when Warp Stabilizer re-analyzes.
DNxHD MXF import sometimes failed.
Titles could not be imported via the Import dialog on Mac.
Playback could stop when audio input was set to digital on Mac.
Synchronizing by audio waveform could give inaccurate results.
Double clicking a clip or sequence when the Project panel is in icon mode did not open the item.
Soft Subclips could appear with black thumbnails in the Project panel.
Rendered files sometimes did not maintain sequence start time.
A crash occurred with importing .wav files from Fostex DC-R 302 recorders.
Moving the info panel could cause a crash.
AVCi100 OP-Atom MXF files from Avid displayed incorrectly.
Audio drop-outs occurred on export.
The final frame of a nested sequence displayed incorrectly when using optical flow with GPU enabled.
Merged Clips could become corrupted when round-tripping via FCP XML.
PSD files caused Premiere Pro to stop responding when closing a project.
Live Text Templates with more then one parameter often lost render previews.
Sync Settings did not respect system proxy settings on Windows machines.
Specular highlights corrupted when exporting to non-PQ J2K files in HDR workflows.
Merged Clips dropped into a sequence were unlinked.
Premiere Pro project names incorrectly permitted the back and forward slash characters.
Render files did not travel with transition and analysis data.
Text layers in Live Text Templates displayed with jaggy edges.
XML files exported from FCP 7 could show as corrupt sequences.
Incorrect fonts were displayed when importing an XML from Annotation Edit software
Reverse playback could occasionally not work.
Panasonic 50i/60i .mp4 and .mov displayed incorrectly.
Premiere Pro crashed if the preferences folder was set to be read only on Mac
Exporting to QuickTime with MPEG-4 Enhanced Low Delay Audio could result in an Error Compiling Movie dialog.
GPU playback and rendering failed with sequences containing the Track Matte effect.
The About dialog showed an incorrect version number.
Crashing could occur with AJA 12-bit HDR output in software mode.
IMX 30 full-frame anamorphic exports were incorrectly exported as 4:3.
Several situations where crashes could occur have been resolved.




Multilenguaje (incluido español)

Premiere Pro CC. Todas las novedades de 2015. Crea vídeos visualmente sorprendentes en prácticamente cualquier lugar.

El conjunto de herramientas de producción de vídeo líder del sector ofrece ahora una manera de trabajar más agilizada conectando tus aplicaciones de escritorio y para dispositivos móviles con tus activos creativos. De esta manera, puedes crear producciones profesionales con colores brillantes en cualquier lugar.

El Premiere Pro más colorido.
El editor de vídeo no lineal más rápido y eficiente es ahora también el primero en ofrecer un Lumetri Color panel intuitivo y dedicado para manipular el color y la luz, además de una transición del corte de transformación que te permite crear rápidamente las escenas con personajes parlantes más perfectas que puedas imaginar. La aplicación también ofrece numerosas funciones diseñadas para ayudarte a dar el salto desde Final Cut o Avid. Entre ellas se incluyen métodos abreviados de teclado, paneles y comandos comunes.

Simplificación del color.
Aplica desde correcciones rápidas de color hasta looks de Lumetri complejos mediante un nuevo espacio de trabajo de color que ofrece reguladores y otros controles sencillos.

Creatividad en todas partes.
Aplicaciones para dispositivos móviles como Adobe Premiere Clip y el nuevo Hue CC llevan toda la potencia de Premiere Pro a tus dispositivos. De esta manera, puedes crear vídeos con efectos visuales y de audio increíbles.

Integración perfecta con After Effects.
Trabaja fácilmente con efectos visuales y gráficos animados entre Premiere Pro y After Effects mediante Dynamic Link, que elimina los procesamientos intermedios para acelerar tus flujos de trabajo.

Evita los procesos de ajuste, solo tienes que empezar a editar.
Ahorra tiempo editando prácticamente cualquier tipo de medio, desde vídeo de smartphones hasta secuencias en 8K, gracias a la amplia compatibilidad con formatos nativos en Premiere Pro.