Adam Baldych & Helge Lien Trio - Bridges (2015) [FLAC] (folk-jazz) - WHISKY

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Added on May 30, 2016 by whiskysniperin Music > Lossless
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Adam Baldych & Helge Lien Trio - Bridges (2015) [FLAC] (folk-jazz) - WHISKY (Size: 288.07 MB)
 03 Adam Baldych, Helge Lien Trio - Mosaic.flac45.79 MB
 02 Adam Baldych, Helge Lien Trio - Polesie.flac25.66 MB
 01 Adam Baldych, Helge Lien Trio - Bridges.flac15.34 MB
 04 Adam Baldych, Helge Lien Trio - Riese.flac30.74 MB
 05 Adam Baldych, Helge Lien Trio - Dreamer.flac22.98 MB
 06 Adam Baldych, Helge Lien Trio - Requiem.flac16.28 MB
 07 Adam Baldych, Helge Lien Trio - Karina.flac26.32 MB
 08 Adam Baldych, Helge Lien Trio - Missing You.flac28.67 MB
 09 Adam Baldych, Helge Lien Trio - Up.flac26.13 MB
 10 Adam Baldych, Helge Lien Trio - Lovers.flac26.36 MB
 11 Adam Baldych, Helge Lien Trio - Teardrop.flac23.78 MB
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Description



Think of jazz violin and one recalls sprightly swing fiddlers such as Joe Venuti or Stephane Grappelli, or maybe the proggy electric explorations of Jean-Luc Ponty or Michael Urbaniak. Polish violinist Adam Baldych must thus be commended for developing a completely new vocabulary for the jazz violin. He usually starts songs pizzicato, playing clawhammer style like a folk guitarist – and when he does use his bow, he often uses it to create whispery, distorted effects. He’s also good at strong, sturdy melodies: the prairie-wide Dreamer nods towards Charlie Haden, the country waltz Karina recalls Keith Jarrett, while the 5/4 puzzle that is Mosaic sees him spitting out notes like Wayne Shorter. Pianist Helge Lien, a Lyle Mays to his Pat Metheny, proves a stronger foil than Baldych’s previous accompanists. If there’s a problem here it’s that Baldych’s improvisational style – a silky, smooth, undisrupted flow of notes – slips down so easily that you barely notice that anything’s happening.

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Adam Baldych & Helge Lien Trio - Bridges (2015) [FLAC] (folk-jazz) - WHISKY