A I O - A Tribute To The Great Maestro Ennio Morricone

Ennio Morricone ... All-In-One



A Tribute To The Great Maestro & Film Composer



Includes:



1- Biography

2- Prizes & Awards

3- Soundtrack Filmography

4- Music Tour: 6 full CDs ...



includes:



a. Il Buono, Il Brutto, Il Cattivo (The Good, the Bad, and the Ugly) - 1966

b. Once Upon A Time In America - 1984

c. Cinema Paradiso - 1989

d. Ennio Morricone & Mireille Mathieu - 1974

e. Ennio Morricone & Dulce Pontes : Focus - 2004

f. Ennio Morricone & Lisa Gerrard : Fateless (Sorstalansag) - 2005



The Original Sound Tracks Lists:

1. Il Buono, Il Brutto, Il Cattivo - 1966

(The Good, the Bad, and the Ugly)

01. Il buono il brutto il cattivo (Titoli)

02. Il tramonto

03. Sentenza (Part I)

04. Fuga a cavallo (Part I - Short)

05. Fuga a cavallo (Part II)

06. Sentenza (Part II)

07. Il ponte di corde(part I)

08. Il forte

09. Inseguimento

10. Il deserto

11. La carozza dei fantasmi

12. A missione San-Antonio

13. Padre ramirez

14. Marcetta

15. La storia di un soldato

16. Fine di una spia

17. Il bandito monco

18. Due contro cinque

19. Marcetta senza speranza

20. Morte di un soldato

21. L'estasi dell'oro

22. Il triello

23. Fuga a cavallo (Full version)

24. Il ponte di corde (part ii-unused)

2. Once Upon A Time In America - 1984

01. Once Upon A Time In America

02. Poverty

03. Deborah's Theme

04. Childhood Memories

05. Amapola

06. Friends

07. Prohibition Dirge

08. Cockeye's Song

09. Amapola Part 2

10. Childhood Poverty

11. Photographic Memories

12. Friends

13. Friendship And Love

14. Speakeasy

15. Deborah's Theme - Amapola

3. Cinema Paradiso - 1989

01. Cinema Paradiso

02. Maturity

03. While Thinking About Her Again

04. Childhood And Manhood

05. Cinema On Fire

06. Love Theme

07. After The Destruction

08. First Youth

09. Love Theme For Nata

10. Visit To The Cinema

11. Four Interludes

12. Runaway, Search And Return

13. Projection For Two

14. From American Sex Appeal To The First Fellini

15. Toto And Alfredo

16. For Elena

4. Ennio Morricone & Mireille Mathieu - 1974

01- Un Jour Tu Reviendras

02- J Oublie La Pluite Et Le Soleil

03- La Califfa

04- L eblouissante Lumiere

05- Il Ne Reste Plus Rien

06- Je Me Souviens

07- La Donna Madre

08- Da Quel Sorriso Che Non Ride Piu

09- La Marche De Sacco Et Vanzetti

10- Melodie

5. Ennio Morricone & Dulce Pontes : Focus - 2004

01. Cinema Paradiso (Tema de Amor de Cinema Paradiso)

02. Rose Among Thorns {From the Mission}

03. Renascer {From Moses}

04. No Ano Que Vem {From Come Maddalena}

05. Your Love {From Once Upon a Time in the West}

06. Amalia Por Amor

07. Nosso Mar {From Metti Una Sera a Cena}

08. Antiga Palavra

09. Luz Prodigiosa {From Luz Prodigiosa}

10. Ballad of Sacco E Vanzetti {From Sacco E Vanzetti}

11. Someone You Once Knew {From Per le Antiche Scale}

12. Voo

13. I Girasoli

14. House of No Regrets {From Chi Mai}

15. Barco Abandonado {From Per le Antiche Scale}

6. Ennio Morricone & Lisa Gerrard : Fateless (Sorstalansag) - 2005

01. Sorstalansag I

02. Visszateres Az Eletbe

03. A Tabor

04. Meg Mindig Otthon

05. A Drama Kezdete

06. Egy Dal

07. Az Asztalnal

08. A Lelek Lerombolasa

09. A Magany Dallama

10. Visszateres Es Emlekezes

11. Egy Belso Hang

12. Tukorbe Nezve

13. A Magany Dallama II

14. Hang Nelul

15. Sorstalansag II



In Brief:

Born in 1928 to a musical family in Rome, Morricone has become a master of film music. Since scoring his first feature in 1961 called “Il Federale” and directed by Luciano Salce, he has produced over 400 soundtracks - a herculean average of almost one per month.

As a child prodigy, Morricone began composing music as a six-year-old. At age 12, his parents Lobera Ridolfi and Mario Morricone (a jazz trumpeter) enrolled him in a four-year harmony program at Accademia di Santa Cecilia, a Roman music conservatory. Being a notable fast-learner, the young Morricone finished the program in a mere two years (or an amazing six months if one believes some reports!) and graduated with honors while finding time to study the trumpet as well. As a result, later he went on to perform as a trumpet player in Roman night clubs before composing and arranging scores for RAI television by the mid-1950s and working for RCA record company from the late 50s through mid- 1960s, arranging songs for the likes of Mario Lanza, Renato Rascel and Rita Pavone.

Mr. Morricone first came to international prominence with a haunting score that whined and whistled through the parched and dusty streets of Sergio Leone's landmark "spaghetti" Western, "A Fistful of Dollars" in 1964, the first of six collaborations between the two. The list of collaborations includes the very famous and rousing theme of "The Good, the Bad, and the Ugly" (1966-Italy; 1968-USA).

This Leone-Morricone collaboration numbers among the closest and most significant in film history. One cannot imagine seeing Leone's Cinemascope close-ups or landscapes without hearing Morricone's music that added layers of emotional meaning. The composer greatly enhanced the operatic feel of the films by often providing memorable leitmotivs for Leone's pistol-packing trios, most famously in "Once Upon a Time in the West" (1969).

Morricone has also worked extensively with such notable Italian filmmakers as Bernardo Bertolucci ("1900", 1977), Pier Paolo Pasolini ("The Decameron", 1971), Gillo Pontecorvo ("Burn!", 1969) and Dario Argento ("Four Flies on Gray Velvet", 1971) and some other great European directors such as Carlos Saura and Pedro Almodovar. He has also lent his formidable skills to a host of Hollywood and international productions, earning Oscar nominations for Best Original Score for Terrence Malick's "Days of Heaven" (1978), Rolan Joffe’’s "The Mission" (1986), Brian De Palma’’s "The Untouchables" (1987), Barry Levinson's "Bugsy" (1991) and with Giuseppe Tornatore’’s ““Malena”” but has never won the award.

Ennio Morricone's work has often been cited for its wit, invention and quirkily experimental instrumentation. He combined electric guitars and harmonicas with orchestras long before such pairings became fashionable and has also favored unconventional percussion (e.g., church bells, bullwhips cracking and pistol shots) and vocalists that chant, whistle and/or hum.

Without a doubt Mr. Morricone is one of the greatest film music composers of all time.



Thanks Team Pachino