A Farewell To Arms (1932) Gary Cooper (Pre-code) Director: Frank Borzage

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A Farewell To Arms (1932) Gary Cooper (Pre-code) Director: Frank Borzage (Size: 758.7 MB)
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 A Farewell to Arms (1932) uncut version.avi758.49 MB
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Description

A FAREWELL TO ARMS (1932) uncut version



http://www.imdb.com/title/tt0022879/
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Directed by

Frank Borzage



Writing credits

Ernest Hemingway (novel)



Benjamin Glazer (screenplay) and

Oliver H.P. Garrett (screenplay)



Laurence Stallings play (uncredited)



Cast (in credits order) verified as complete

Helen Hayes ... Catherine Barkley

Gary Cooper ... Lieutenant Frederic Henry

Adolphe Menjou ... Major Rinaldi

Mary Philips ... Helen Ferguson

Jack La Rue ... Priest

Blanche Friderici ... Head Nurse

Mary Forbes ... Miss Van Campen

Gilbert Emery ... British Major

Alice Adair ... Cafe Girl (uncredited)

Henry Armetta ... Bonello - Italian Ambulance Driver (uncredited)

Herman Bing ... Swiss Postal Clerk (uncredited)

Agostino Borgato ... Giulio - Hospital Porter (uncredited)

Robert Cauterio ... Gordini (uncredited)

Marcelle Corday ... Swiss Nurse (uncredited)

Gino Corrado ... Italian Soldier (uncredited)

Peggy Cunningham ... Molly - Disgraced Nurse (uncredited)

George Humbert ... Piani - Singer (uncredited)

Doris Lloyd ... Nurse (uncredited)

Fred Malatesta ... Manera (uncredited)

Paul Porcasi ... Harry - Innkeeper (uncredited)





Produced by

Edward A. Blatt .... associate producer (uncredited)

Benjamin Glazer .... associate producer (uncredited)



Original Music by

Herman Hand (uncredited)

W. Franke Harling (uncredited)

Bernhard Kaun (uncredited)

John Leipold (uncredited)

Paul Marquardt (uncredited)

Ralph Rainger (uncredited)

Milan Roder (uncredited)



Cinematography by

Charles Lang (photographed by)



Film Editing by

Otho Lovering (uncredited)

George Nichols Jr. (uncredited)



Casting by

Fred A. Datig (uncredited)



Art Direction by

Roland Anderson (uncredited)

Hans Dreier (uncredited)



Costume Design by

Travis Banton (uncredited)



Second Unit Director or Assistant Director

Lew Borzage .... assistant director (uncredited)

Charles Griffin .... assistant director (uncredited)

Arthur Jacobson .... assistant director (uncredited)

Jean Negulesco .... second unit director (uncredited)



Art Department

Clem Jones .... props (uncredited)

Joe Robbins .... props (uncredited)

Joe Thompson .... props (uncredited)



Sound Department

Franklin Hansen .... sound (uncredited)

Harold Lewis .... sound (uncredited)



Special Effects by

Loyal Griggs .... special effects assistant (uncredited)



Camera and Electrical Department

Sherman Clark .... still photographer (uncredited)

Robert Pittack .... camera operator (uncredited)

Cliff Shirpser .... assistant camera (uncredited)



Costume and Wardrobe Department

Ed Gross .... wardrobe (uncredited)



Transportation Department

Joe Robbins .... transportation (uncredited)



Other crew

Grace Dubray .... script clerk (uncredited)

Farciot Edouart .... transparencies (uncredited)

Robert M. Gillham .... general press agent (uncredited)

Charles Griffin .... technical advisor: war sequences (uncredited)

Dr. Jardini .... technical advisor: hospital sequences (uncredited)

Daniel Keefe .... business manager (uncredited)

Jean Negulesco .... assistant: Benjamin Glazer (uncredited)





A tale of the love between ambulance driver Lt. Henry and Nurse Catherine Barkley during World War I. The action takes place in Italy and the two fall in love during the war and will stop at nothing to be together. The film also analyses Lt. Henry's feelings on war and the purpose of fighting





27 out of 31 people found the following comment useful :-

Simply sublime., 20 June 1999



Author: DA from Canberra, Australia





This is a magnificent picture, photographed sublimely by Charles Lang (who deservedly won an Oscar). Cooper and Hayes are brilliant as the World War One lovers - and the ending will bring you to tears. How wonderful to see Coop so vulnerable and so in love, and Hayes just shines from the screen like a diamond.



This film is very under-rated. The camerawork is ground-breaking and original - look for the shot when Hayes kisses Cooper as he is wheeled into his hospital room. Amazing. I really love this film.





18 out of 19 people found the following comment useful :-

What Did Papa Expect?, 29 August 2006



Author: bkfrom Buffalo, New York





When this version of A Farewell to Arms came out, Ernest Hemingway hated this film. They turned his novel and put too much emphasis on the romance angle. When Papa Hemingway said that he obviously did not know Hollywood well at all. If he did just knowing Frank Borzage directed this film should have told him something. Borzage did a whole slew of tender romantic stories in the Thirties like Three Comrades, The Mortal Storm, stuff like that. A Farewell to Arms is definitely in keeping with that tradition.



The one thing that Hemingway did like was the casting of Gary Cooper as the hero Fredric Henry. He and Coop became fast friends right up to when they both died in 1961. He saw in Cooper the ideal Hemingway hero and when Paramount acquired the rights to For Whom the Bells Toll, Hemingway insisted it be done with Cooper or nobody.



Cooper and Helen Hayes made a tender romantic couple in the Borzage tradition, probably more Borzage than Hemingway. But Adolph Zukor and Paramount also knew what sold movie tickets and Paramount was having a lot of financial troubles at this time. The studio nearly went under during the Depression. But Paramount's saviors turned out to be Bing Crosby, Mae West, and Cecil B. DeMille who returned to the studio he helped found.



Helen Hayes made several good films in the early thirties, this one and the one she won an Oscar for, The Sins of Madelon Claudet. But she never became a movie box office draw so she returned to the Broadway stage where she reigned as a Queen.



Adolphe Menjou replete with Italian accent plays Cooper's friend and romantic rival, Major Rinaldi. Menjou was great at playing both American and continental types. Soon he would sign a long term contract with MGM and gain his greatest roles during the sound era.



Hemingway purists might shun A Farewell to Arms, but those who love their screen romances, soggier the better will rave about this film.





18 out of 22 people found the following comment useful :-

A Memorable Film In Need of Restoration, 28 March 2005



Author: gft from Biloxi, Mississippi





The 1932 film version of Ernest Hemmingway's A FAREWELL TO ARMS will never challenge the likes of ALL QUIET ON THE WESTERN FRONT--but while it fails to capture the horrors of World War I it is remarkably effective at capturing the novel's sparse and unyielding prose. A good deal of the credit goes to writers Garrett and Glaizer and director Borzage--but the real interest here is not so much in the cinematic interpretation of the Hemmingway novel as it is in the cast, which is remarkable.



Actress Helen Hayes was already among the leading lights of the New York stage when she was lured to Hollywood for a handful of films in the early 1930s--and it is easy to see what all the fuss was about. Plaintive beauty aside, unlike most stage and screen actors of the era she is completely unaffected in her performance and proves more than powerful enough to overcome the more melodramatic moments of the script. She is costarred with Gary Cooper in one of his earliest leading roles, and while the pairing is unexpected, it is also unexpectedly good: they have tremendous screen chemistry, and in spite of the film's dated approach they easily draw you into this story of an ill-fated wartime romance between a nurse and an ambulance driver.



The film is also well supplied with a solid supporting cast that includes Adolphe Menjou, Jack La Rue, and Mary Philips, and while clearly filmed on a slim budget--something most obvious in the battlefront sequences--the camera work is remarkably good. Unfortunately, all this counts for nothing unless you can find a print of the film that you can stand to watch. It is sad but true: the 1932 A FAREWELL TO ARMS seems to have fallen into public domain, and the result is a host of DVD and VHS releases that range from the merely adequate to the incredibly dire.





10 out of 14 people found the following comment useful :-

A gesture...a look...the inflection in a voice..., 16 February 2003



Author: m from Louisville, Kentucky





A gesture...a look...the inflection in a voice. An ambulance going up a mountain... a dead soldier...rain pouring down. "Farewell to Arms" evokes emotions without being overly dramatic. It is based based on the Ernest Hemingway novel with the same title. It sets the scene for the story with images from the camera. Make no mistake, this is a love story, not a war movie. It is a love story set in the midst of World War I and it takes place in Italy and Switzerland. Not only do the images set the scene for this film but the actors make a love story unfold in the midst of the terrible taking place. Helen Hayes is a stand out in her role as the nurse from Great Britain. Gary Cooper has never been more handsome and charming as an American Ambulance driver. Their romance and struggle to be together are poignant and convincing. Gary Cooper has a marvelous friendship with a doctor played by Adolphe Menjou and some touching scenes with a priest portrayed by Jack Larue. Time has been kind to this movie which goes beyond era and place and develops its characters and story well enough so that they transcend the 1932 style of making films and the WWI setting to shine in a classic movie for any age. This movie was directed by Frank Bozarge and it won a well deserved Academy Award for Best Cinematography.







Trivia for A Farewell to Arms (1932)

Some references list the play by Laurence Stallings as an uncredited source for the movie. It opened on Broadway in New York City, New York, USA on 22 September 1930 and had 24 performances. The opening night cast included Glenn Anders, Joe Downing, Jack La Rue (also in the film) and Elissa Landi.





Censorship problems arose from early versions of the script, which included phases of Catherine's actual childbirth and references to labor pains, gas, her groaning and hemorrhaging. After these were removed, the MPPDA approved the script, and even issued a certificate for re-release in 1938 when the censorship rules were more strictly enforced. Still, the film was rejected in British Columbia and in Australia, where Hemingway's book was also banned.





Tom Ricketts (as Count Greffi) is supposed to be in this film but was not seen.





Though in the novel the character of Catherine Barkley is described as very tall, actress Helen Hayes is a mere five feet tall.





To the modern discerning eye, the use of miniatures is apparent in some scenes. If one looks very closely at the first scene, ambulance trucks driving up a winding mountain road will be noted to be well crafted miniatures.





Remade with Rock Hudson and Jennifer Jones, A Farewell to Arms (1957) and as a TV miniseries with George Hamilton and Vanessa Redgrave, "A Farewell to Arms" (1966).







>>> WARNING: Here Be Spoilers

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A Farewell To Arms (1932) Gary Cooper (Pre-code) Director: Frank Borzage

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